On the other hand, the fact that the song "Bro" was written completely in earnest is always good for a laugh.

It's true, we're so lame!

One more reason to hate the government. It brought us Blink-182.

Ah, didn't know that. Jenji Kohan said somewhere she used Let's because of Community, so I just assumed that's where it came from.

OITNB used that as a nod to Community, and I think it just snowballed from there.

I would have expected to hear about Rocket Fuel Malt Liquor from you.

"…there are still enough rules about booze on TV that characters invariably
order a beer without ever specifying a brand, just to be on the safe
side."

There's an Acme store that sells random novelty items in Northampton, Mass too.

"But we shouldn't want our courts to convict defendants when their crimes offend our moral senses. We want our courts to convict defendants when their crimes violate the law as written."

Ah, it wouldn't be the internet without a little bit o' pedantry.

Between this, the recently overturned Georgia law and the fact that Oklahoma just ostensibly legalized rape it feels like a bunch of southern lawmakers are competing in some kind of alienate-the-rest-of-the-country-off.

I feel like an article popped up last year saying we wouldn't see Ser Pounce again because it was such a pain in the ass to film any scenes with him that it wasn't worth the trouble. So theoretically, he's safe FOREVER (or until his off screen death is casually mentioned by someone).

I actually thought Lets Be Cops was a bit better than this, but I got my $4.50 matinee's worth of entertainment. The plot's a little thin and borderline nonsensicle at times, but the cast is solid enough to keep things running despite some issues.

Hey Rudd, next time can you take the Mac & Me joke to the next level and just throw Jimmy Fallon off a cliff? Just tell him the internet loves that kind of meta shit and I'm sure he'll go for it.

The fact that James Dewees from The Get Up Kids was in this band never fails to make me chuckle.

Yeah, it worked OK for those two songs on Skelethon but I found Hokey Fright to be borderline unlistenable.

I think that's the biggest strength of this album - the lyrics are so straightforward. Aside from "No Regrets" I don't think he's ever really written songs like this.

Like most of his lyrics, it seems like gibberish but is in fact completely sensible although quite dense - http://genius.com/Aesop-roc…

For me it's Skelethon, although Bazooka Tooth is the only album I find to be less than great.

Is that an attempt to eschew the fact you watched Juno? It's really not that bad, if you can get past some of the hamfisted dialogue.