I have to assume this is sarcasm, because it comes up in 100% of the positive interviews with actors about working with him.

I don't know the show, but the movie has a scene where Frank Burns is responsible for patient's death, and then yells at his assistant ("You just killed that boy"), who flees the room crying.

Disagree; Frank Burns is another would-be alpha, that's why they have to get rid of him. He's also not a dweeb, he's an asshole.

He also tells the girl he's married, right?

"in 1972, a network sitcom where three of the show's four male leads were openly cheating on their wives was inconcievable- heck, it's inconcievable today- and they certainly wouldn't have gotten away with it without the movie's precedent"

I don't think you can watch too many Robert Altman movies without coming to the conclusion that (1) he definitely knew they were sexist and (2) he didn't care.

"homosexuality being presented as a reason for suicide (with no objection from anyone onscreen)"

Is it just that nobody has seen Vampires that they keep mentioning other movies as possibly Carpenter's worst?

You don't like listening to an old man smoke pot while watching his own movie?

There should not be this many conversations about 1939 movies without at least one mention of "Midnight".

I believe Jamaica Inn was Hitchcock's entry into Cinema's Greatest Year.

"You can find any number of complaints with virtually every film in the past"

It's especially funny to me because, WTF, it's Sleepers. It's not a bad movie, but not a particularly good one, it's just kinda there. The big thing it had was Hoffman and De Niro, and it is a total bust on that level.

Excluded. Per Wikipedia:
"The fundamental theorem of arithmetic establishes the central role of primes in number theory: any integer greater than 1 can be expressed as a product of primes that is unique up to ordering. The uniqueness in this theorem requires excluding 1 as a prime because one can include arbitrarily…

The "Peter David's X-Factor Complete Collection" doesn't start with his '90's run? What a strange thing to call it then.

The whole point of Iron Fist is that he was a rich white kid and then he got raised in this weird Asian fantasy environment where he didn't fit in at all because he was a rich white kid, but he struggles and eventually thrives even while feeling different from everybody around him, but his time in K'un L'un changes…

Youth Without Youth and Tetro both look nice, and there is something interesting about a maybe-70-year-old director who can make something that feels like an excited film student just gushing out and loving the process of making a movie, I can dig that, but Tetro still felt like a student film, and Youth Without Youth…

Even beyond the TV show, the Hulk taps into something universal that appeals to kids, I wouldn't argue against that. But, of course, She-Hulk doesn't have that. And is nothing like the TV show, except for the color of her skin.

"are any networks actually interested?"

"I don't see what the failure of the Hulk movies to connect with movie-goers has to do with a She-Hulk show."