the ellipses is "The Cobbler, that's the one with the little fella, right? What? With who? I made a movie with… now, let me think… oh, right! Yeah, that was shit. What's the politically correct word for retarded? Special, right, right."

It's true. Her speech was something like, "I don't think you actually watched the movie, I think you voted for me for publicity, so I'm going to give everybody here a copy of it, and you can watch it, and then if you want me to give the award back and give it to somebody else, I'll come back next year."

I don't want to "like" that sentiment, so I felt like I should acknowledge that it was a good post.

"in Paris a terror attack that leaves dozens of people dead is both unusual and a tragedy, in Beruit they call that Thursday night."

It's not a nickname, that's his cover job.

Being Flynn is not a great film, but it is nice to see him fully engage in anything.

Airplane 2 has a few great new jokes. Check out the brief John Vernon courtroom appearance (I can't explain the bit without spoiling the punchline).

The film alludes to them, but a lot of the dialogue is difficult to follow (especially from Fezzik) if you haven't read the book.

Kubrick has a good track record there. Not "Lolita", and if you want to argue against "The Shining" I would understand. "Spartacus" is pretty different and also quite good, but that still leaves quite a few that are pretty definite.

The Cobbler is indistinguishable from other Adam Sandler movies, other than the insane ending. I love McCarthy, but the movie would be exactly the same if it were directed by Dennis Dugan or that other Sandler friend.

"What's better then a husband and wife coming together to make great art or affect great change?"

Ruffalo is The Hulk now, Keaton is three Batmans ago, of course they give the Hulk top billing. Also, as far as Oscar contenders go, nominations are two to one in Ruffalo's favor (and should've been at least three to one).

What are you basing that absurd prediction on? You can't just say that something is the odds on favorite, why would this be the odds on favorite? It's not going to make a lot of money, it's not going to be something where people feel like they came out having learned something, and the Academy is just not going to…

David Lean won Best Picture (and Director) for two movies which are consecutive within his filmography, but not back-to-back years. That's the other thing — it usually takes more than a year to get a Best Picture off the ground.

Yeah, whenever a song was/provided a chapter title, Snyder used that song. I think he did come up with using "Hallelujah" for the sex scene, and "The Times They Are a-Changin'" for the scene where the times were a changing (still kind of a literal choice).

Even so, notice he said "nearly all", so he's willing to acknowledge that some of them *are* accurate, he just doesn't have a problem with it.

If one of them is lying, I'd put money on Marc. Marc (1) is a part of the series and (2) seemingly incapable of sincerity. He is one of those guys who will talk shit with a person about whoever the other person wants to talk shit about, no matter what he thinks about the person. But I also see how Effie has a team,…

By that logic, the movie had zero producers. Also no production designer. Certainly no PAs. I don't think there was a sound recordist, though I guess there was a boom guy floating around.

One could argue that the guy who had no idea what was going on with the actual status of the project (despite being ostensibly a producer of some kind) arbitrarily deciding that the director could spare an entire afternoon to discuss an issue that the entire production save for the director considered a settled issue…

Also, you can always tell when something didn't check their output on a small TV screen by the size of the insert shots of cell phones that the audience is supposed to be able to read. It is hilarious when high-profile stuff like "House of Cards" doesn't even bother to check whether you can watch it on a screen…