I would dispute that; everybody that you recognize in "Enemy of the State" now was already Hollywood-famous before that movie. [OK, I just checked, I'll give you Anna Gunn, I didn't know she was in it.]

To be really pedantic, all three of them are acronyms by the commonly accepted definition, trying to split acronyms up further winds up sloppy and with a lot of judgement calls.

All of the LA women I've been with have been unshaven, but they have also all apologized (which I laugh at, because I prefer at least *some* bush).

He is literally the first person I have ever heard say that Steven Seagal was nice, so I wonderful if he is so intense in person that Seagal was genuinely scared of him.

Dean Norris has an even smaller Gremlins 2 part; they're all just chasing Banks's appearance in the first one.

I watched Clear and Present Danger within the last few weeks on Netflix; there's a scene early in the movie where Willem Dafoe goes to meet Raymond Cruz, but the two guys who have all the lines in the scene are Coulson from SHIELD and Reg E. Cathey, neither of whom has any other scenes. They must've had a wonderful…

The thing is, Lorne Michaels left the show in 1980. Between 1980 and 1985, there was nothing to make a movie out of and nobody to push a studio to do it. Murphy could've carried a movie, but he was doing action-comedies instead of comedy comedies.

Walken, in general, doesn't know what to do in straight comedies.

It's a Stuart Smalley movie, prominently co-starring Vincent D'onofrio.

Bob Roberts, like Mighty Wind, doesn't get counted because it was an instance of a non-SNL writer bringing characters that they had already created (Robbins wrote the "Bob Roberts" script prior to SNL but couldn't get funding; Spinal Tap had created The Folksmen as an opening act for their shows) to the show, rather…

It's weird, he seems pretty (but not entirely) cocky and arrogant in this interview, but usually those are negative traits whereas I just love him more for it.

The thing is, they both did kind of the same thing, but the situations make one of them a good leader move and the other a bad leader move.

I do hope that isn't a spoiler (though, admittedly, I didn't acknowledge where I was in the show), I would much rather see Karen in charge than Stewart, if only because I like her performance. But as far as Karen goes, she seems pretty consistently wrong and/or terrible at her job so far (for instance, ART has died…

I'm at least halfway through the show. It's better than the pilot, but not much. I've seen up to the robot revolution.

You're right, I was thinking it was a really bad knock-off of Red Dwarf, but it is more like a decent knock-off of Hyperdrive.

I am pretty sure that recasting him would immediately double how much I like this show.

The pilot flat out doesn't work on my Roku, I had to watch it on Youtube, but later episodes worked better (they all fall apart during the credits, but fuck it).

I had read things about how they were subverting tropes, so it seemed weird to me that it is straight up and down the old standard nerd fantasy fulfillment of sci-fi, the oldest and most boring trope there is. The brilliant would-be leader whose brilliance is tragically unrecognized by the world [undercut because we…

I thought "Well, maybe that's one of those awkward set ups that will have a hilarious pay-off", so it was nice of them to immediately ignore that bit and never call back to it.

The Shutter Island trailer wasn't bad the first five times. The problem was that it played in front of every movie for more than a year before it came out.