It's more like 15-20% in the last book. Anyway, it's better than Book 6, but you could just skip to the last chapter, the one that opens with King imploring you not to read it at all, you'll get the only part that really matters or is surprising or anything.

It took me three sittings to force myself to read it (starting over each time, because, dammit, it's only five pages!). Moore does this thing sometimes — here, certainly, as well as "Voice of the Fire" — where he makes something completely impenetrable for a little while, but then gets over it. Something like the…

I think there are actually plot points that pay off later in the series which are set up in the text. The weird magical place in Antarctica maybe?

Do you just mean in Black Dossier, or even in the regular serieses? Don't skip those texts, but as for Black Dossier, well, YMMV for any of them. (Those pastiches certainly don't make Moore's description of this book sound appealing.)

It is "just" hardcore porn in the same sense that Watchmen is "just" a superhero story. Which is to say, among other ways which that sentence is accurate, that it is about hardcore porn and where it fits in culturally and all that in the same way that Watchmen is about those things for superhero stories, while still…

The thing is, Sandler and his buddies are *EXACTLY* the same, they just refrain from throwing the first punch, so to speak. Once the people prove themselves to be jerks, the good guys are free to verbally insult them, or beat the crap out of them, or basically just dominate them in whatever their chosen field of…

You make it sound more like a proper Adam Sandler movie than I was expecting.

mmmm, it needs to be a little angrier. Add some profanity.

I don't understand what the title is supposed to tell me about the story or the character. Is he a sugar substitute?

Your argument, which has some merit when discussing Allen's films in general, falls apart when applied to "Annie Hall", where he is a comedian famous enough to be recognized on the street.

I don't think it's fair to say that "When Harry Met Sally…" is a rehash of "Annie Hall" specifically, but it is very obviously very heavily influenced by Woody Allen's films in general, and nothing else. Every stylistic tic in the movie has an origin in a Woody Allen movie.

Oddly, this sounds more like the way that "A Day In The Life" came together behind the scenes.

No, that is total hyperbole. The actual song is 13 minutes, 52 seconds.

I was under the impression that "dadrock", by definition, could not be actual rock.

"Plan Nine From Outer Space" was a movie before it was a video game. And also that wasn't the plotline for the videogame, only the movie.

I was gonna say that I don't blame 'em, but fucking "Fashion" is on this, so you're 100% right.

The thing about Bowie is that half of his albums haven't been remastered since the early '90's, so unfortunately, compilation albums tend to be desirable if you want some of the songs to sound good.

I don't think 'Tonight' is a great album (especially by Bowie's standards), but I will always have a soft spot for it for introducing me to "I Keep Forgetting" and, by extension, Chuck Jackson.

Somebody in the comments of this website posted something regarding what the ending should be, and I completely agree. [apologies for not being able to credit the originator.]

My problem with White Jazz is that he is closing out the big uber story of his quartet, but shifts the style so completely that it feels out of sync with the rest of them.