Yep. This show just has a hero: Molly. (Probably also Gus, but certainly Molly. Much like the original movie's original female cop.)

You can kill all the pretend people you like, and I'll take it because they're pretend people. Kill a pretend dog and I get upset, just because somehow it's harder to disbelieve.

I've liked Colin Hanks since Roswell, where he played a character who was wholly nice (and a bit of an angelic martyr at the end but oh well). He was terribly served by the writing in his Dexter season, and The Good Guys was a piece of fluff, so it's nice to see him with something good to do.

Yes, but popularized for the television era by Doctor Who. Jon Pertwee's Doctor, to be precise (others used it later as well).

You betcha.

NPD and BPD can be comorbid. I think she really is upset by the perceived lack of love, but her tools are quite narcissistic.

Even if she'd seen that—and she'd seen so many other moments that day where he was beside himself with excitement to be with her—the slights, or perceived slights, are so much more real and painful to her than the other stuff is positive. It's blindingly obvious to us, but not to her.

Colin Hanks has done so much good stuff. Dexter was not his fault.

For Nick & Nora-y goodness, download the Beyond Belief episodes of the Thrilling Adventure Hour podcast; Paul F. Tomkins and Paget Brewster are just as funny and, if anything, even more alcoholic/in love while solving the supernatural mysteries that keep turning up at their penthouse door. And no worries that they'll…

She's probably looking like someone who's been up all night with a baby—no character makeup necessary.

Thanks—I only just caught the episode and thought I might get to the end of the comments without anyone noting this. We know that Frank's an O, so that's right—if Lip is remembering correctly that he's AB (positive or negative), he'd have to have gotten an A from one parent and a B from the other, and Frank has…

Says "Chicago Polytechnic" on the banners, which doesn't exist.

Sounded like they left Modesto after high school together when he was too busy just getting the heck out of Modesto to have worked out that he was gay yet.

There was Sarah Paulson nipple for half a second for some reason in the sex scene, that must have been what the warning was for.

(Plus, of course, Paul says he told the parents about the boys' fight, and DS Miller never heard about it—of course, the parent he told was the stay-at-home dad and Mr. Miller never passed it on to her—)

I think conor meant not so much that 17 is older, but that 17 is so damn young to be as sensitive and mature as Dean mostly seems to be.  And good on the parents for realizing that and for bringing the relationship into the family.

This episode has set up so many parallels if it's Miller's husband—the investigator betrayed by a spouse's wrongs, the "how could you not know that was going on in your house?", the son suffering for the murder his father committed—that I'm now actually going to be stunned if it's not him.

Yes, New Testament commandments.

But why try (so haplessly) to destroy it by the church, where Paul could catch him at it?

Yes, when Miller's husband stopped Hardy from talking to his son, I was suddenly certain it was him.  It would explain why Tom is so desperate to hide his secrets about the dead boy.