avclub-c9bdbab0c40ccb86234b09fa350fbf50--disqus
SalonKitty
avclub-c9bdbab0c40ccb86234b09fa350fbf50--disqus

Watching her do karaoke was actually quite moving for me, but I fear her storyline is heading towards a gun in her mouth. Every time she has to defend her decision to suck the cock of E Corp's largesse, you can sort of see her dying a bit more on the inside. She's losing the ability to kid herself that she can affect

Angela’s random hookup being an FBI plant was a good surprise, but it went nowhere.

As scary as it was to see Darlene murder Madame Executioner, her story that she relays to the woman beforehand was fantastic. We see so much of this show through Elliot's perspective, and the impact his father's death had on him, but we never really get to hear about Darlene's loss. And in that moment, I could

I agree. I thought the episode was a taut thriller and it had me on the edge of my seat.

I'm looking forward to Elliot being reunited with Darlene and possibly Angela, though. I really felt that separation acutely this episode. It was nice to get a break from the Elliot/Mr. Robot back and forth for a bit.

Nice referencing of Ron’s Coffee; it really takes you back to that first scene of the pilot.

Mobley. They even referenced it in the FBI interrogation scene. He went by DJ Mobley for the End Of The World party.

But where the fuck is Chauncey, you bastard?

I know! As soon as they opened it up, I was like, oh shit, did they have to break all her bones????

We're on a break.

See, now I enjoyed this episode with all of its intrigue and nerve-jangly set-ups way better than last week's. I did not miss Elliot at all.

Perfect comparison. I dug this one, too.

But will it be as inspirational as the Bob Lamonta story?

I won't lie. I owned this one.

I'm not sure which camp you think mine falls in.

Hulu.

When you look up the definition of the word 'mellifluous' online, Colman Domingo's voice should be the in the audible pronunciation. I could listen to him all day.

Along with a few narrative conveniences, Imperium’s biggest weakness is in its timeline, which remains confusingly unclear up until the end of the film.

Did Weisberg and Fields ever acknowledge where the idea for Stan's undercover days came from?

On a lark, I gave in and watched the British series this show is based on a few days ago. What I find interesting in the transfer, is that in the UK version, Ben Whishaw, who plays the Nas character, is the star. The show revolves around him, so we see a little more of his family's reactions, and more importantly, the