avclub-c64946186dfe08de39f4567c68325fb7--disqus
Bucky Sinclair
avclub-c64946186dfe08de39f4567c68325fb7--disqus

Everyone who is so gung-ho in thinking Batman is out to kill Superman: After these trailers, I'm convinced that Bruce subdues or "captures" Superman, and turns him over to the government/Lex. One of the early trailers showed a hunched-over/de-powered Supes looking up at Lex. Once Batman discovers Lex's plans

Aside from the "Can I take my friend to bed" line (which doesn't really need to be off-color), don't forget All Together Now.

Somewhere, Edwin Land sheds a tear…

First of all, he could've tried harder to recover that fumble.

That sums it up very well for me, too.

Holy Cow, I've been saying #2 for 30 years. That interception in September of 1984 over John Jefferson of the Packers remains one of the greatest NFL plays I ever saw as it happened. There used to be video at YouTube, but it's gone. I'd love for younger fans to see it too. As to your point, it was my belief and

"Carnival" was (and is) a favorite off the first Austin Powers soundtrack. Which is almost uniformly excellent (save the DiVinyls tune which I've never been fond of).

One of my favorite all-time non-sequiturish running bits was his January Jones on Conan.

I hope so.

I believe the Paul McCartney animated movie he's talking about is "High In the Clouds."
Just not in Japan…Ba Dum Tss

As long as you liked to golf (and really early in the day).

Ah yes, but that's why God created the library card, my friend.

I've read that one line that's undoubtedly an actual ad-lib is in Road to Morocco where a camel spits in Bob's face, and Bing laughs and says "Good girl!"

Here's an aside: Chester Babcock was the given name of the legendary songwriter and Sinatra cohort Jimmy Van Heusen.

I don't know. I've read that he was a very closed-off, aloof person. He wasn't even really friends with Hope.

That book from a couple of years ago "Entertainer of the Century" makes a decent case for Hope's importance in not only the movies but as a template for most of stand-up comedy.

I hope when he auditions for future collaborations, he plays some intricate, beautiful part which causes someone to mutter "…Who are you?

Did anyone else find this episode really disjointed? As if there were whole scenes missing?

"Sully" Sullenberger and Howard Borden.

"Mr. Daniels, tear down this wall."