It takes a few minutes.

Dang it. Thanks!

Aw crap. I'll fix.

Well, it's bold and gutsy (but not ranch-flavored) in that the writers have set the stakes for themselves immensely high—the next few episodes (and arguably the season as a whole) have to make sure that moment lands with the gravity and power it deserves in order to justify using such a loaded image. I'm giving them…

I should've mentioned this in the review, but yeah, they're pretty damn indulgent.

The Terror, and Drood is also pretty great.

I disagree, but that is a well-though argument. (I'd give it a C+.)(The movie, not the argument.)

I was thinking the same damn thing!

Y'know, I've heard that raised as a defense before, and I don't really buy it. I love the original Trek, but part of why I love it is that it's a product of its time—the wobbly sets, the hammy performances, the frequently half-assed scripts. That's not something you should really be emulating these days, unless you're…

Almost _intentionally_ so…

I stopped caring about Otto when he killed that nurse. Which is weird, because I'm also not rooting for Lee at all; that whole situation is just awful people being awful to each other. (Which, I realize, is not a new thing for the show.)

I have this horrible feeling that next week, we're going to get a very sad montage set to mournful music of people looking sad, and that will about cover it.

He's very thorough.

Ahem. A really _sincere_ and _masculine_ idiot, thankyouverymuch.

Oh man, I wish!

Hey Walt, remember your obsession with the purity of your cook? Remember how goddamn proud you were of your percentages? How's that working out for you?

There's also at least one shot of Jesse reaching for the door-handle, which is a pretty good way to suggest he bolted.

"My name is Tina, and I don't like you." I love that episode.

He has. Every night, he applies a serum that, in just a few hours time, gives him the kind of flowing, luscious locks that would drive Fabio insane with envy. And every morning, he burns it all off, because FUCK SUPERMAN THAT'S WHY.

Thanks!