Pretty obvious, given the narrative structure of the two parter. Although someone had mentioned in the comments that Odo's lineage had more importance to the plot than I initially assumed, so that had me on my guard.

"
I don't think the Changelings really empathize with other species, though. "

"
I don't think the Changelings really empathize with other species, though. "

Actually, I'm pretty sure it was in Walt's hospital room—the psychiatrist visited him in the hospital. But yeah.

Actually, I'm pretty sure it was in Walt's hospital room—the psychiatrist visited him in the hospital. But yeah.

I wouldn't be surprised if Lydia winds up responsible for the deaths of one or more members of the White family.

I wouldn't be surprised if Lydia winds up responsible for the deaths of one or more members of the White family.

It'd be funny if Walt ended up taking the ricin himself, on purpose.

It'd be funny if Walt ended up taking the ricin himself, on purpose.

Yeah, but you notice how Walt was just watching the fly in the opening scene? It took him three months to finally realize it, but I think at that moment, he no longer cared. He wasn't obsessed with perfection anymore. He won, and the fly was still there, and who gives a shit. It really set the tone for the entire…

Yeah, but you notice how Walt was just watching the fly in the opening scene? It took him three months to finally realize it, but I think at that moment, he no longer cared. He wasn't obsessed with perfection anymore. He won, and the fly was still there, and who gives a shit. It really set the tone for the entire…

I was terrified Walt had used the ricin on Skylar.

I was terrified Walt had used the ricin on Skylar.

Well, the lettering is changed for a very specific reason—like I said, this story follows the plot of an old E.C. Comics' story, with bad guys gleefully being bad, and then receiving their painful (and often painfully ironic) comeuppance. The lettering is set in the specific style of those older comics; just look…

Well, the lettering is changed for a very specific reason—like I said, this story follows the plot of an old E.C. Comics' story, with bad guys gleefully being bad, and then receiving their painful (and often painfully ironic) comeuppance. The lettering is set in the specific style of those older comics; just look…

I'm pretty sure Joe Hill knows what he's doing. He's more than earned the reader's trust at this point.

I'm pretty sure Joe Hill knows what he's doing. He's more than earned the reader's trust at this point.

Read this after work, and I just wanted to add what a great imitation this is of crime/horror comics from the '40s and '50s. The newsprint lettering in particular could've come right out of an old issue of Tales Of Terror—it changes the whole feel of the book.

Read this after work, and I just wanted to add what a great imitation this is of crime/horror comics from the '40s and '50s. The newsprint lettering in particular could've come right out of an old issue of Tales Of Terror—it changes the whole feel of the book.

It's great stuff. Comixology had a sale a while back, and I went through the whole series in a little over a weekend.