I'm curious:

This is where my TONGUE lives.

That remains the only scene in ANYTHING that unnerved me so much as a kid that I can't bring myself to revisit it as an adult.

I honestly just assumed the kids died, and didn't think otherwise until they explicitly showed the kids leaving the factory in the Burton version.

It's in the middle of the day, no less.

I saw that last year and was shocked at how gory it was. Not a bad little film, and I'm beyond grateful I didn't accidentally see it as a kid.

That scene totally worked for me because I didn't know what to expect. This whole time we'd seen the video and knew it ended with the shot of some well.

Yes, but why settle for the grunts when you could be their leader?

LISA NEEDS REASONABLE PLACES TO PARK

Agreed, that little section was a breath of fresh air in a hermetically sealed fart sewer.

There's a reason they still say 'From the Director of Independence Day' despite having 15 years' worth of newer movies to choose from.

'The Space Between Spaces' is the title I'd give to my album of lute-based Evanescence covers.

I'll agree it's tough to revisit the mine cart chase in Temple of Doom knowing that some shots are just little dolls in a mini cart, their mushy heads bobbing to and fro…

His dumb dog puppet wants to hear the story about the Griffin.

The idea that 'hairy' is your ultimate criteria for 'Jewish' is making me laugh hysterically.

I liked the "I cannot make the jump you'll have to toss me!" payoff in Two Towers.

Post production is gonna have a hell of a time getting all those hair pins to fly out when she darts out of a room.

That's a great summary. I remember enjoying this movie as good, simple Halloween fun.

I thought SA was more about the NWA/Public Enemy/LA Riots vibe.

I remember a rumor about 1920's Chicago. Or 1960's Chicago.