That makes the Christmas paraphernalia-bedecked offices look less glaring. A little.

GAR-BAGE DAY

I've never walked out on a film, but The Producers adaptation (with Nathan Lane and such) is by far the closest I've come to just saying 'fuck this'.

I swear they were talking about making this a film waaaaay before a stage show was even in the cards.

I am way entertained by this discussion.

They set a pretty high bar for quality by introducing characters and immediately killing them.

How bout "it's sad she plays up her hotness to gain exposure in comedy. Where hotness couldn't be less important."

Based on the original
CRIPPLE FIGHT

I love me some Mystery, Alaska. It's one of those loaded cast/crew films that flies totally under the radar.

I also got to check out Four Lions this weekend, thanks to Netflix Streaming. Definitely worth checking out.

Oh God Jenifer. Admittedly it's compelling, but so fucking gross. It gave me horrible nightmare flashbacks to the kid at the end of Phenomena.

I can understand a lot of things are a required taste, or that some things need to ruminate before a final consensus is found.

Clock King says stop rubbing it in.

Elijah Wood's slow-walk-rap-gesture-at-the-camera work is impeccable.

Wilson's a little extroverted, but nothing the others couldn't handle. Sometimes it's best not to have a panel full of ass-kissing.

I'm guessing, of all people, the writers of Pineapple Express weren't censoring themselves.

Yes, agreed, that film is quality. I think it's on streaming.

I thought that's why they were more blatant about showing Chicago locales in TDK. Batman's got the city a little shinier. Does the city backpedal into urban decay in the 4 years we've been away?

Wave of the future, etc.

One caveat: