avclub-c28d9aed55d410c2d797e07c42e3ae50--disqus
Goto Tengo
avclub-c28d9aed55d410c2d797e07c42e3ae50--disqus

Oh, yay. Another cookie cutter blockbuster.

Like most recent wars, it started with an argument over a Netflix queue.

"Hmmmm…." said whoever financed Sucker Punch.

I dunno, maybe. The main point that might count against that is the list of episodes on which she got writing credit - it's quality work, not a few cherries she might squat for credit. In her book, she comes across as self-deprecating rather than faux modest. The main thing I thought she kept hidden, based on the arc

No. But I'll see if I can diagnose the problem by watching Swordfish.

It's also going to cause a lot of confusion after the launch of HBO's Bob City: Adventures of a Flapper Hairdresser.

Everybody, try and be more like Taylor Momsen.

What's frustrating when reading Mindy Kaling's often entertaining Is Everyone Hanging Out Without Me? is that she relates her experiences of getting onto The Office and writing the episodes with a bunch of self-deprecating anecdotes that make her into this lazy writer who gets into fights with Greg Daniels, when she

I'd argue you often don't. The major, over-riding, if not exclusive issue is: will this make money? A lot of what might be considered major flaws at the AV Club - horrible dialogue, a plot we've seen over and over again, etc. - are not bugs, but features, an attempt to make a risk-free investment that will be

The guy was like a repo man: always intense.

Well, we appreciate the work, but we've changed our minds and we're gonna go with someone else for the iPhone 6 ad copy, Don DeLillo.

Aw, great. Now I'll never know whether I should see this movie.

I picture Gibson being asked on the spot somewhere by a reporter why he got a part in the film and Willis is out, with Gibson replying, "Well, the thing is, Bruce asked for a lot of money, and Sly is cheap as a-" and before we hear the ending we cut away to Stallone watching it on TV, a notepad in hand where we see

Beaver and Butthead.

Tango and Cash might be my overall favorite episode of theirs - "this movie was made before people had discovered irony" is something like the quote. The one recurring bit that constantly cracks me up is Stuart always messing up his opening cue.

"I said, don't point at her like that! What gives you the right to sit there and tell anybody about class and who the hell's got it, and what she typifies! You shouldn't even be in the same room with her, you creep!"

Maybe we could focus on the reproductive cycle a little more with this one.

That'll be the prequel. Followed by the third part which ties everything together, The Denouements Men.

Shouldn't it be:

I've ordered and now eagerly await the arrival of the pick-up tome, The Abramović Method: How I Got a Girl Naked Just by Humming and You Can Too!