The Council of Cross-Time Coaches.

I was pretty excited to get an episode-by-episode look back since it's filed under The Walkthrough, but instead it's just a regular post-mortem interview. An interview is nice! This one's quite good! But it's not a Walkthrough.

Hmm, your more informed, in-context interpretation is nice and all, but I read a headline, so who's to say which is more accurate.

"Our boss is a crazy supervillain and he's on the loose. Where should we work from now?"
"Probably just keep at it in his office."
"Really? Okay, but we'll change the locks, right?"
"Oh no, the doors don't lock."
"Don't we keep a bunch of other evil superhumans in here too?"
"Well THOSE doors lock. From the hallways that…

They're committed to the Infinity Gems and one of the ones left is Time, so I wonder how they're going to handle that. Maybe it'll speed things up and slow things down but not go backwards, since that's where the plot problems really begin.

"Multi-camera" in this context refers to shows shot more like a stage play, where they have several cameras going at the same time. If there's one wall of the set that you never see because that's where the live studio audience is (or would be if they don't have one), that's multi-cam. Think Full House, Friends, Big…

The "protect (or maybe stop) a number" procedural set-up is still there, but the cast has changed over time and the serialized elements got much more compelling and prominent.

In addition to the references other people have mentioned, Tony watches news footage of the Hulk/Abomination fight on his plane in Iron Man 2 since IM2, TIH and Thor all happen at roughly the same time.

Balldroid don't lie.

That's true; it works well as a discrete short film, but suffers from a lack of set-up or payoff as an episode within a season of television.

I actually think G.I. Jeff's emotional climax is way better set up than this one's. I haven't seen it since it aired, but I remember there being cracks in the fantasy that hinted there was something wrong with Jeff, and once you know what it is, the fact that the episode is a riff on a kid's cartoon about action…

You can see a poster for it in the very same scene, I believe.

Looks like Marvel should file a counter-suit for stealing Cable's giant gun.

This email being the potential key to Dubstep Electro isn't as glorious a story as the explanation for the spider-bot in Wild Wild West, but it's the best of its kind since.

I knew they were both in commercials, but I hadn't placed that they were for the same company. That is very weird. I saw Soni in Safety Not Guaranteed and Betas, and I've loved Vayntrub since Let's Talk About Something More Interesting.

What is this magical place that DOESN'T have a history (and, let's face it, present) of racism against non-white people?

Jesus said, "WOMAN, why are you weeping? Whom are you seeking?" And then he ripped a mini-gun out of the nearby drone's wreckage. - John 20:15

I hate Lucas Black's character. He ruins Tokyo Drift for me. But I would love it if he became the crew's resident young rookie, with as many references to him being a "kid" as possible and looking as old as possible.

Bizarrely, based on the trailer/reviews, the movie seems to allow rational explanations for all the stuff one would think would be played as pure magical realism. The glass he moves is the magician's doing; the earthquake and bomb could just be coincidences of timing. Not the approach I'd expect.

And I think that's the point of the thread.