I thought of Camp as NBC's non-musical answer to Glee (after their musical answer, Smash, crashed and burned).

To answer your first question, I did see every episode.

In-joke or no, that was awful.  I was willing the background singing to mute completely but to no avail.

Please let the next episode be the last to deal with Ava Hessington!

Harvey's compliments to Louis were so "dream come true" that I kept waiting for Louis to snap out of a daydream and hear what Harvey was really saying. To my surprise, Harvey was actually not being his horrible self to Louis, which really is Litt-tastic! :-)

I agree about Katrina.  The lack of clarity regarding her motives is keeping me from fully connecting with her interactions with Louis.

"As for Richard? He closes the episode standing on the steps of an unknown house, greeting his long-lost sister Emma. Alone, and offering no performance, this is a man who’s starting over."  Richard may offer no performance, but he wears a mask nonetheless.

The woman from the Decision Desk was a riot.  We know who the state is going to, but the race is too close to call.  :-)

I loved it when Jim's girlfriend said, "You THINK Maggie changed her hair?"  :-)

"The stories about Alan and Celia’s respective families clashing as the two get closer aren’t as strong, and no one else on the show is quite as compelling as the two leads. "  I agree.

I was only mildly confused by the title, specifically how this show has little to do with the movie Last Tango in Paris (I hope, hope, hope).

Get ready for the exciting showdown.  It's Team Mike vs. Team Briggs, with anti-Briggs Team Charlie working with Mr. Evil himself, the notorious Jangles.

See, it's called "Happy Endings" because of the massage parlor that's totally secondary to the interesting parts of the episode.

Remember the owls.

"Orthogonal."  Now there's a word I haven't heard in a while.

That Zoidberg-ruining-the-painting gag was a scream.  ;)

This wedding brought to you by the Space Pope.

If Alias taught me anything, it's that as long as there's a source of air somewhere, a strong woman can survive in an airless environment, whether under water with car tires or in space with a Leela balloon.  :-)

The combination of Carlos, Betty, Julian, and Ann could lead to exciting possibilities.  :-)

Alec isn't the Freelancers' problem anymore since he traveled through time to save Emily.  He's the problem of another timeline.  What does this mean for how events will play out?