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TripleA85
avclub-c027a095f6633553f8f45a0ce00fd45d--disqus

I think the issue with that is that Sarah has a criminal record over seas. So even if she already had a record when Beth became a cop and they ran Beth's prints locally, they wouldn't have pulled up anything on Sarah. I think it was mentioned that they'd have to pull from Interpol to get Sarah's records. It's not like

That's a really good point. I wonder if we'll see them playing around more with body types. They're clones, so it would make sense for them to have developed in the same fashion, but it would also make sense and be interesting is maybe a clone who'd had a couple kids had kept a little more padding in certain areas. It

As a person who knew nothing about this show's existence before catching Todd's review a few hours before it aired a couple weeks back, I can say that the clones thing was a mystery, but I don't think it was particularly meant to be see as the most difficult mystery to solve in the world. You only have so many options

There was a French one?

"The killer calls the station to give them the location of the shooting,
Sarah straight up deletes the fingerprint records, they get a tip that
leads them straight to the killer’s lair (which Art admits should have
been a “flimsy lead”), bing bam boom, the killer’s a self-loathing
clone! Cue the Bible verses."

@avclub-566616c4b3b3f350aeed409a877ba3b8:disqus We're saying the same thing. Glee was good in season one because it stuck with it's storylines and did them justice. When it started bringing things up out of the blue and them dropping them an episode later is when it started to circle the drain.

I think you meant to say "this fantastic Fucking show."

I'm sorry, but I disagree with you. I love American Horror Story, it's a significantly better show than this one is, but it isn't evidence that Ryan Murphy is some kind of totally competent God within the medium. It suffers from some of the same problems as Glee (weird tonal shifts, being over weighted with just way

Is Glee still a musical-comedy? How does that genrefication work for this show? Can the argument be made that Glee's genre is so all over the map that there's no telling any more what it is and what it can or can't do?

Glee treats its Queer characters as heroes and victims way too much for it to be Unique. I mean, nothing the show does would shock me any longer, but I simply don't think they'd have it be her. Or if it is, then it's done from the honest position of her being attracted to him and worried that he'd never be into her,

I got the "some OTHER judges" comment, but I will admit that I cut it off when she said Patricia was safe anyway out of sheer rage that someone who's lived in the bottom 2 the past few episodes was saved once again. I'm going to try and find the episode on again just to watch the conversation though.

I think that that is 100% the basis of all of Nina's criticism. It's "Can I put this in the magazine and sell copies?" In the same manner that all of Heidi's criticism tends to be "Would I wear it?" They each have their own subjective quirks, and I think that that's perfectly fine, it's what keeps the judging diverse

The asymmetry problem of Layana's look is driven home by how symmetrical the back was. It totally looked like she just could get the fabric to line up properly in the front and said Fuck it!

I wonder if Project Runway will force Nina to issue an apology to fashion designers everywhere for her comment. It seems like the kind of thing that would be on par if she'd dropped a homophobic or racial slur on air.

I didn't assume that, but I certainly think it would have been a great way to go! Much better than what they did.

My dvr did something weird and just totally cut out the judges conversation and jumped to the end where they announced who was going on and who wasn't. So I'm good and pissed off that I missed what sounds like a great conversation from the judges.

I wouldn't disagree, but I would say it wasn't done as well. The serialized elements weren't very well integrated and I thought the story was a little bit one note. I loved the show, but I thought it's focus wasn't really where it should have been. Especially when they got into that conspiracy storyline which never

No one will feel good after the episode, but that doesn't make the subject matter any less of "something that was an issue amongst a good portion of Glee's audience at the time." Glee never has a problem deciding on storylines that are in vogue with their core audience, it has problems executing them properly. Teen

I love this show way more than I think I should. I can't help but wonder if we've ever seen this level of serialization in what still appears to be a procedural.

Wait, the show won't be on FX next year? What the fuck?