avclub-be12e7f0f8de169a361afbd150d2ce59--disqus
Aludra
avclub-be12e7f0f8de169a361afbd150d2ce59--disqus

The parody commercials for Veridian Dynamics were brilliant.

I know, I immediately clicked expecting cancellation news.

The accents really threw me for a loop on this. Took half the episode to figure out he was supposed to be French.

Just wanted to second the kudos to Noel. This was a really fantastic review.

And, for me at least, that's all Gleeson.

I love that there's no shortage of racist things to point out, and as such we require qualifiers: 'most' racist thing 'now'.

Sigh. I miss Kings.

Hush, you!

Not only contrived, but it's ground that's been somewhat covered in Avery's personal show within a show.

@avclub-4369a7506a50bd14d4540f91219319a7:disqus Welcome to Nashville, bitch!

Their moment at the end, when Huck finds Quinn a family, may have inspired sudden, random tears. I'm liking their dynamic a lot.

Any excuse for Cary Elwes to guest.

I know it's kinda weird to marathon/catch-up on a procedural, but it's really just very good. I recently read somewhere that it's one of the few shows that focuses on a female lead with the subtlety and care that most (cable) shows focus on male leads, and it really rang true.

Ditto on the first two, plus Elementary now, which is seriously wonderful.

Oh, Rickon.

I think it was just breathing hard.

What @avclub-eac75edc18b8546c46893fe4b75ab995:disqus said.

While I would hate to see it go, I'm so damn grateful we've gotten as much as we have. Since its first season, it never felt like a sure thing, so every season since has just been doubly delightful.

"Thank you. I almost never fall down."

@avclub-da518aecddbf5c94588f53562012c452:disqus I love Schmidt's about-face when the threat became literal.