Can't we all at least agree that "Cupid's Chokehold" is the worst song ever written?

Hostel is fucking hilarious. The sequel takes itself a little too seriously, but is still pretty damn good.

Return to the 36 Chambers is fantastic, as is Pretty Toney. But there are so many excellent Wu-Tang records, people tend to concentrate on the popular favorites.

How can anyone hate Tom Petty?

And so died American democracy, with the invention of the message board.

Yes, but…

Vampire Weekend.
Specifically, "Horchata": the new definition of "douchey."

I was going to say the same thing. He is Nemesis.

*Is speechless*

I disagree with Rand to an almost comical degree, but I do have to point out that the postal service is wildly unprofitable.

Agreed, Quirk. That's why I strongly disliked Zombieland. Its raison d'etre was slo-mo zombie deaths. That might have been excusable if it had been, you know, intelligent, but it was mostly just wearyingly misanthropic and smug. And it had the worst voice-over narration I have ever heard. And it turned sentimental at…

The zombies in Land are supposed to be revolutionaries or something. They raze the richers' stuff, then leave.

Actually, the Russian Nihilists pioneered suicide bombing in 1881.

In other news, most artists are douchebags.

Actually, The Times has quite possibly the worst music criticism of any major American publication. It's not surprising that one of their writers would go after M.I.A. for her politics since that writer is less likely to recognize good music than effing Brian Williams.

Her performance at the Grammys was incredible. She has a generally positive festival reputation.

The acting has always been pretty bad in Romero's Dead movies.

Dawn of the Dead (One of the best movies ever made, in my opinion.)
Day of the Dead
Night of the Living Dead

So It's Like Zombieland, Then?
But with intellectual ambition and fewer idiotic jokes?

Forever's when I actually "got" Wu-Tang. There's just so much variety, and they excel at so many styles on it, that it staggers the mind. Of course, this is coming from someone who was like 9 when Enter the Wu-Tang came out.