"I know that many people think that the movie was some kind of lesson on how you should accept the fact that you are dating people with pasts as soon as you get out of high school but I didn't need a terrible movie to tell me that."

Reading flowsthead's comment makes me suspect either that I have completely forgotten the order of the shorts, or that there are multiple versions of the film where the shorts have been arranged differently.

Reading flowsthead's comment makes me suspect either that I have completely forgotten the order of the shorts, or that there are multiple versions of the film where the shorts have been arranged differently.

Isn't The Talented Mr. Ripley better, though? If we are going to be talking about 90's movies that depend on Jude Law.

Isn't The Talented Mr. Ripley better, though? If we are going to be talking about 90's movies that depend on Jude Law.

Spice World?

Spice World?

Boo!

Boo!

Mrs. Frisby and the Rats of NIMH

Mrs. Frisby and the Rats of NIMH

What's important is that he is not playing a waiter.

What's important is that he is not playing a waiter.

For individual, they go by execution score.

For individual, they go by execution score.

A few points from The Animorphs* that left me fucking devastated**:

A few points from The Animorphs* that left me fucking devastated**:

I like Takahashi's work quite a bit. Granting that it was passing through various cultural filters to reach me— a middle school girl, in the mid-90's, in America— it always struck me as getting away with a lot.

I like Takahashi's work quite a bit. Granting that it was passing through various cultural filters to reach me— a middle school girl, in the mid-90's, in America— it always struck me as getting away with a lot.

For me, perhaps the most memorable Goosebumps story involved a kid with an annoying little sister. Obviously, the conclusion sees him going back in time and fixing events so that she doesn't exist.