Maybe they figured she liked "Erin" better, or that she had gotten so used to being called "Erin" that it grew on her.

But the characters are by far the most important part of any story.  The setting and the plot are at least secondary to the characters.

I kind of feel that way with Star Trek: Deep Space Nine.  It premiered in the middle of sixth grade, and ended the day before I graduated high school, hitting me at the perfect time.

I think if VOY is skipped, it might still be worthwhile to check out ENT.  I'm in the midst of my first serious watchthrough and though it's largely the VOY people working on it, I think they at least tried to learn from their mistakes and apathy from making VOY.

I don't really see that as a problem on ENT's part.  It's the first ship, in a more dangerous kind of Starfleet, so they need the best of the best, and the fittest of the fittest.  Over time the job description for Starfleet officer changes.  It shifts from piloting dangerous vehicles in a NASA meets the Navy…

In the first season episode "When the Bough Breaks" they kind of say that kids learn calculus in like fourth grade.

I got the impression from the book that he did his recordings with Ed Gallagher while an accountant but then stopped once he was going to record the album live.

I should have clicked Refresh then.

The phone is merely a format, not a bit.  Was there something more specific that could be attributed to someone else?

Well, more, I suppose, that I'm more or less doing what he was doing when he had a full time day job.  When he was scrounging for part time jobs he was living with his folks and I've never wanted to do that.  So the alternative is simply making the time outside of a forty-hour work week, which is what I'm doing.

Is it someone different from the person mentioned in the article: Ed Gallagher (about whom Bob Newhart devoted a large portion of his book)?

I just finished reading I Shouldn't Even Be Doing This yesterday.  I was curious to learn how he made that transition from accounting to entertainment.  I'm not sure I learned anything new, but it was a fun read.

I liked the whole thing, but particularly the commentary on the intelligence of a writer's creations.  When I took improv classes I learned that child characters are not less intelligent; they simply have a different point of view.  So I think that should be taken further: no character should be less intelligent than…

There's a difference between being unattracted to someone and having intimacy or sexuality anxiety issues.  As has been stated elsewhere in the comments section here, it's something that's pretty rare in television, especially when exploring male sexual anxiety.

No recycling uniforms in the replicator for Bashir!

From a Ronald D. Moore AOL chat in 1997 (regarding when Bashir was replaced):

Maybe he should play Richard Feynman?

This used to be Steven Spielberg's Interstellar a few years ago.

I think the show was shot on film.  The movie however, was shot and projected on film.

I've been casting a Buster Keaton biopic in my head for years.  I'd say if it was thirty years ago: David Byrne.  Fifteen years ago: Johnny Depp (though he might still be able to pull off).  Now I'd think Jim Parsons or Jimmy Fallon might actually work.