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Fireflame94
avclub-b0cb521aba34990a0004c654f205b22b--disqus

I watched the film version of Sweet Charity, and It happened one night, on the big screen for It Happened One Night. Sweet Charity was really interesting to me as All that Jazz is one of my favourite film musicals and Shirley McLaine is very attractive to me. The crazy experimentation that Fosse tried throughout the

The one song I didn't particularly like from the Muppets was "Pictures in my head", not written by McKenzie interestingly enough. Not a bad idea, but nothing rhymed and that was kind of off-putting, and I'm not the biggest Muppets fan so it didn't have the same resonance to me.

I'm not the biggest fan of Breaking Bad, and I didn't even realise it was Cranston until the end, but that Danger Zone line killed me.

Except when Roger got too played out.

I would definitely say there were similarities, but I think one of the strengths of Ugly Americans is the ability to do something that some/everybody else has already done and still make it funny in a different way. Another case in point would be the CSI: Miami thing.

As a Chiefs fan I was very excited for that victory, it was a shame that we didn't push on further in the second half.

There is also apparently a column C: The voices changed so gradually that they didn't even notice.

I didn't think much of the lead performance either, but the videotape and the stagey blocking probably made her performance more broad than it should have been.

On a tree by a river…

How ironic.

You just reminded me that what the Dish was about, and it is a very pleasant, fun movie.

Are you saying Barry Lyndon isn't Kubrick at the top of his game?

His friends come off as far more dickish than Spielberg does in this clip, largely because it is quite clear Spielberg is joking around a bit, while it isn't as clear for them.

Yeah, this is one of the Carla episodes that really soured me on Carla episodes. I wasn't really a big fan of them from season 1, but after this episode my Cheers marathons might stop for days at a time when the synopsis for the next episode was Carla-heavy.

Have you heard of Slingshot's unlimited plan ($60 a month)?

I think you might be right that the mix is the problem, instead of the ideas for the score, but I would also suggest that the placement of the score cues is a bit heavy-handed, used only for the big moments, where the show wants to ensure a reaction from the viewer, instead of placing the score around more of the show

I actually didn't know the twist (I figured it out early on, but I couldn't be sure until they revealed it at the end), and I thought Eye of the Beholder was fantastic. I think that the twist is beautifully handled, and the staging and lighting before the twist is immaculately good, plus the sheer creepiness of the

Is the 1937 version as good as the 1954 version (which I think really should have ended when James Mason's character kills himself)?

I love "Homicidal Ham" as well, basically because of the final set piece.

I love the South Park movie, but he was collaborating with Trey Parker, who does have genuine musical skill and therefore it is hard to judge Shaiman's contribution as easily (a collaborator with musical knowledge is likely to get more out of their composer). The collaboration was great though, and therefore I was