As an aside, there are plenty of animals that fuck for fun.

As an aside, there are plenty of animals that fuck for fun.

THE RESERVOIR DOGS was the gritty remake.

THE RESERVOIR DOGS was the gritty remake.

Seriously. The attraction of Louie is that it's a regular half hour of brilliantly made, funny-to-serious-to-poignant-to-experimental stuff by a very smart, very creative, very funny person being given a ton of creative control in a way that never would happen in a more commercial context. Near as I can tell, the main…

Seriously. The attraction of Louie is that it's a regular half hour of brilliantly made, funny-to-serious-to-poignant-to-experimental stuff by a very smart, very creative, very funny person being given a ton of creative control in a way that never would happen in a more commercial context. Near as I can tell, the main…

God, I love that episode. Just the right mix of funny, surreal and poignant.

God, I love that episode. Just the right mix of funny, surreal and poignant.

Or "picked out some shit that sorta fit together."

Or "picked out some shit that sorta fit together."

South Park isn't that self-aware.

South Park isn't that self-aware.

THAT'S NOT HOW YOU USE EQUAL SIGNS

THAT'S NOT HOW YOU USE EQUAL SIGNS

So the big offense here is… what? That Chevy Chase thinks that sitcoms are kind of stupid (hard to dispute), that he'd rather be making movies (ditto), that he doesn't consider Dan Harmon a genius (blasphemy on the AV Club but a trivial observation anywhere else), that he likes and respects the people he works with on…

So the big offense here is… what? That Chevy Chase thinks that sitcoms are kind of stupid (hard to dispute), that he'd rather be making movies (ditto), that he doesn't consider Dan Harmon a genius (blasphemy on the AV Club but a trivial observation anywhere else), that he likes and respects the people he works with on…

But the dystopian element was highly present in US sci-fi as well - which itself had its roots in the cold war and the threat of nuclear annihilation, the fear of communism on the one hand and reaction against right-wing McCarthyism on the other, and eventually the rise of the movements of the sixties and the…

But the dystopian element was highly present in US sci-fi as well - which itself had its roots in the cold war and the threat of nuclear annihilation, the fear of communism on the one hand and reaction against right-wing McCarthyism on the other, and eventually the rise of the movements of the sixties and the…

Fuck it, we never found out what made the Tardis blow up at the end of Moffat's first season. For all the time Moffat spends on dangling these dopey little plot threads, he sure doesn't spend much time resolving them. Which I'd be fine with - if he actually spent his time trying to make solid standalone episodes…

Fuck it, we never found out what made the Tardis blow up at the end of Moffat's first season. For all the time Moffat spends on dangling these dopey little plot threads, he sure doesn't spend much time resolving them. Which I'd be fine with - if he actually spent his time trying to make solid standalone episodes…