avclub-a943703bf7255b9e72622541af8b695e--disqus
jd_challenger
avclub-a943703bf7255b9e72622541af8b695e--disqus

You raise a good point. Situational precognition indeed. I think the Spider-sense is a much more unique and mysterious ability which lends a lot of the obliqueness and vagueness that has led him to a trap. It's easier to extend the augmentation of physical senses (outside of sight) to logical extremes in Daredevil's

That's a great and funny question to ask cuz Fisk doesn't know that he's a comic book villain brought to live action but we KNOW that he is. We're a little cynical about his choices, especially after that ass-kicking he gave him

I'm really impressed with the way the show how his sense of direction and enhanced touch augment his markmanship abilities. The scenes that implement DD using perfectly accurate, terribly unlikely shots, especially with his billy club, is pretty entertaining.

Your comment reminds me of the old Fox TV Spider-Man cartoon in which Daredevil makes an appearance. Matt Murdoch is hired to defend Peter Parker from espionage charges after the Kingpin frames him. Spider-Man and Daredevil end up working together and end up on a roof across from hostiles. DD is completely scoping out

That was my first reaction to that infographic but if someone who knew Matt saw him suddenly ditch his cane and start running at top speed because he's using his enhanced hearing to track a suspect—-or whatever, they would definitely have some raised eyebrows. And what could he do? He can't automatically see or detect

Libby has obviously gone through some changes since Season 1. The writers are obviously adding a few more layers. Just as in real life, the more you get to know a person, the more conflicted and complicated one appears. And I also submit, racism is a little pointless without some sadism. It would be a bit toothless to

I think we're about to go in circles with this now. Granted, they should allow layers to emerge around Libby's character but when you're producing a period piece set in the 1950s mainly set around White people, you have to approach the topic of racism, a practice that is as American as apple pie. I argue that the

Oh! Whoops! I hadn't realized the reference obviously. Well in Ultimate FF it's a different teleportation accident from what you brought up. Don't ask how just yet—-it just is : P

The Corey Stoll character "Reilly" was a semi-decent foil to Neeson. At the end, on the Icelandic tarmac as he was being rolled away on a stretcher, you can tell he's the kind of lovable homophobe who'd rather sport a bullet wound in a hospital for a few days than go to his brother's gaybaby wedding. Totally.