Minus the gun stuff, Heston was a pretty moderate fellow, all things considered.  He'd be considered an outright communist now.

I thought it was a Dark Castle production.  Or have those two intermarried?

Thanks for pointing that out.  BC is a serious contender for "most overtly Christian comic ever."  Family Circus barely registers.

Interestingly enough, Darabont is still listed as Executive Producer in the credits for all the episodes thus far, leading me to believe that he was still pulling the strings well into the Sophia-is-lost storyline.

Considering Netflix carries the uncut Cannibal Holocaust, as well as a few other Italian gut-munchers, the decision to exclude this film seems a little odd.  Not that I ever want to see A Serbian Film under any circumstance.

It sounds like something deeply perverse and Japanese.

Land of the Dead is Shakespeare compared to the incomparably lousy follow-ups Romero did: Diary of the Dead and Survival of the Dead.

Or maybe she wasn't pregnant at all.  I mentioned to my wife that Ben has no idea what she's having done once she leaves him in the waiting room and would be politic enough not to start asking a lot of (apparently) impertinent questions of the staff.  She might have just taken him for a ride, preying on his guilt for…

Not like I suddenly want to become the AV Club's Hat Nazi, or anything, but the hat Jane wears is not a fedora.  It's a trilby hat or, if you want to be informal, just a trilby.

The grades on these episodes pretty much match up with my own sentiments.  There's something interesting about the setting of the show and the basic premise, but the execution is slack and the characters are either bland (Jed) or awful (Kate).

I've actually liked the first two episodes of the season, so this one didn't have to climb out of a hole to impress me.  Even so, I agree with others that this was the strongest so far, with good lines, some solid acting moments and a decent (if not spectacular) case to solve.  If they can maintain at least this level…

That is a deep, deep cut.  I love it.

Considering how wretched the two backdoor pilots The Movie Channel produced back in '90s were, I'm not exactly optimistic about this development.  Let the series plod along its direct-to-DVD path in peace; it gives Jean-Claude and Dolph something productive to do.

The sexism in the pilot may have been over the top, but it was virtually gone in the second episode.  So she and whatsisname don't get along; that could be for any reason, as it was never addressed.  And the other cops appear to get along with Timoney just fine now.

I caught part of that African soccer players episode!  But then it never ran again, so I never got to see it in its entirety.  Too bad, because what I saw was fascinating.

Anybody who thinks Rush Limbaugh fits any definition of a leftist has to have the whole left-wing/right-wing concept explained to them again.

Outcasts didn't have much in the way of special effects at all, unless you count muddy filters on the cameras and a lot of blowing dirt.

Wow, that was hostile.  But I guess you already knew that.

Coming to the party quite late here, but what the hell.

Bekmambetov didn't direct, he only produced.  Gonzalo Lopez-Gallego directed.