Come on, we can do better.

I just thought it made everything way too obvious. Like they created this giant, flashing, neon sign that reads "THIS GUY'S ACTIONS ARE HURTING OTHER PEOPLE" and had it hanging over Walt while he sits by the pool.

He's the only one who seemingly wants to do as little work as possible to make money. Everyone else seems actually invested and interested in companies they make offers to.

Nina and Elizabeth are a dynamic duo of hotness. I love that show.

Half of its qualities are really good, and the other half feel like they were ported over from a lesser show. It's confusing. I think my biggest gripe right now is there's a bit too much telling rather than showing. The characters (especially the supporting ones) tend to blurt out lines that are clearly there just to…

The way the writers/actors/whoever is responsible for keeping so much of this in a gray area is probably my favorite part of the show. They stick to the "show, don't tell" mantra, but know that what they're showing can be interpreted a number of different ways. They play with that constantly and it makes the show a…

@avclub-6ca57d2774f04ac8acf3d2b10f0338f4:disqus  Why is it a stupid question though? Look at everyone around her - even her (single) mom was making jokes about hooking up with men. There's clearly an issue with young, single motherhood in that community, and showing/mentioning three generations demonstrates how the…

Justified's title theme is kind of goofy and stupid, but I hear it now and am immediately excited to watch Raylan Givens and co. for the next 45 minutes. I can't imagine the show without it.

@avclub-8b51a5273e5c6883ba614922c5c9e867:disqus I think Mad Men, The Americans, and Top of the Lake should be on there. The title sequences for those three shows encapsulate the series' tone fucking perfectly, and all three have incredibly distinct visual styles that help build support the show's world.

More like, "TUSK?"

I couldn't believe that when I looked it up. She looks 25.

So hopefully he'll just go back to being the "good" guy from season 1-3, with that false sense of superiority.

This realization hit me like, 45 minutes after I finished the season. I was sitting on my couch, just kind of digesting how weird it all was, and then it just clicked: "Wait, didn't Michael says Rebel looks just like Tracey, his wife/George's Michael's mo….Oh, no. Gross. Creepy. Ew."

I'll probably watch it on The Netflick later.

Yeah, what is going on?

Hannibal is exhausting. It's not the gore that can be hard to watch (although it's certainly pretty disgusting), it's the weight of everything that sticks with you, just grinds you down for 47 minutes at a time. I watched two in a row once and felt like I needed to get a Prozac prescription.

Veep, fuck yeah!

I adore both of those shows.

"A PSP? Well Ah've got to get one of those to take with me in the cah."

On a slightly serious note: This is where we find out if Idris Elba can handle running shit (from an acting standpoint). This movie looks huge in scope and ambition, just based on who the main character is and the lengthy period of his life it covers. Elba is going to have to carry this thing at times. I know we all…