Oh. In that case, it sucks.

Oh. In that case, it sucks.

Specifically which fraternity were Led Zeppelin members of? Grand Funk Railroad maybe, but Led Zep? Nah.

Specifically which fraternity were Led Zeppelin members of? Grand Funk Railroad maybe, but Led Zep? Nah.

I've also got to give a shout out to the tragically titled Songs for a Seagull. Not her best, but it has a few INCREDIBLE songs. Pretty amazing stuff for a debut.

I've also got to give a shout out to the tragically titled Songs for a Seagull. Not her best, but it has a few INCREDIBLE songs. Pretty amazing stuff for a debut.

I think it's her worst. It's almost bearable, but that last verse of the chorus at the end:
"[Little girl voice] They paved paradise [bass monster voice] and put up a parking LOTTTTT.[World's least believable laughter] Ah. Ha. Ha. Ha!" just MURDERS it.

I think it's her worst. It's almost bearable, but that last verse of the chorus at the end:
"[Little girl voice] They paved paradise [bass monster voice] and put up a parking LOTTTTT.[World's least believable laughter] Ah. Ha. Ha. Ha!" just MURDERS it.

"…but then I realized we had to sell a shitload of these to Boomers to break even, so I said 'Fuck it, just throw in every Stevie Nicks song and call it a day.'"

"…but then I realized we had to sell a shitload of these to Boomers to break even, so I said 'Fuck it, just throw in every Stevie Nicks song and call it a day.'"

Other things The Hobo Life finds amazing:

Other things The Hobo Life finds amazing:

See, I think you do, though. OK, take "sad." How sad; tragic, bittersweet, melancholy? And sad to who? A 15-year-old girl? A 60-year-old man?

See, I think you do, though. OK, take "sad." How sad; tragic, bittersweet, melancholy? And sad to who? A 15-year-old girl? A 60-year-old man?

Yeah, but I'm not sure it's that simple. You also have to take the cinematic elements of the film (the palette, the lighting, the pacing) into consideration and ensure that it segues one scene to the next without being too obtrusive. And it has to be one song, not a list that collectively creates a mood. And it can't…

Yeah, but I'm not sure it's that simple. You also have to take the cinematic elements of the film (the palette, the lighting, the pacing) into consideration and ensure that it segues one scene to the next without being too obtrusive. And it has to be one song, not a list that collectively creates a mood. And it can't…

Heeeey! I feel GOOD…

Heeeey! I feel GOOD…

This was really interesting in that I've always been less curious about the musical knowledge than the process: How DO you compile a soundtrack?

This was really interesting in that I've always been less curious about the musical knowledge than the process: How DO you compile a soundtrack?