Or, or maybe Jay Leno survived because - oh, I don't know - he was better than Letterman… and O'Brien… and Kimmel… et cetera. People like to play the "Jay Leno only appeals to old people" card to try to discredit him, but I've always liked Jay Leno because he's a good host, simply put. Leno is animated, without being…

The Felicity vs. Moira encounter was great. Not only does Moira give
literally no f***s about anyone else in Oliver or Thea's lives, she
also has no clue who anyone is in Oliver and Thea's lives.

"'I can't be with you and see you hurt and be the reason that you're hurting.' I wish heroes would use another excuse because this one is honestly the lamest of all."

"Hi, I'm Arrow. Barry hasn't given me the compressible microfabric, yet. But let me just go ahead and take my hood off immediately after speaking with Detective Lance. A couple building floors of space and this 'grease paint thing' should be enough."

My only critique is that, with Barry Allen becoming The Flash, I could have definitely used more "slowmo-ness" from the camera for a heightened dramatic effect, instead of "QUICK LIGHTNING BLAST INTO CHEMICALS."

No green paint. Felicity puts mask on Oliver. Green paint magically appears underneath mask.

Fight Club 2 — starring Oliver Queen and Slade Wilson. Coming soon.

Haha. Felicity had a perfect delivery of the line: "Shado. Sarah. How many women were you marooned with? Sure this wasn't Fantasy Island?"

"Hi, I'm Misty. I can heal myself and Myrtle completely of the absolute worst burns of the human body, but have trouble with Kyle's simple sewing scars. Behold, I AM The Supreme."

And was it just me, or did watching Barry and Felicity have young, flirty chemistry make the idea of Olicity look weird — as in, Oliver looked like her uncle, maybe even her dad at some points, when compared to how Felicity looked with Barry.

It's every villain's major weakness: monologuing. They find it irresistible. Can you imagine a supervillain who doesn't say a damn word and is just evil and the hero doesn't have an effin' clue as to why? I don't know whether that would be awesome, hilarious, bad storytelling or what — but I sure would be intrigued…

Does anyone notice how Isabel is the Reverse-Laurel in "Arrow?" Laurel moves her mouth just fine, but anything above her mouth doesn't move. Meanwhile, Isabel moves her face just fine, but her mouth hardly moves when she speaks.

Welp, you have just become my arch-nemesis.

Ooo snap. Tell us how you really feel.

Looking through these comments, I see there's a lot of rumblings about the introduction of the "superpower element" in "Arrow," especially with Barry Allen's grand reveal. Sometimes, I feel like I'm on the opposite side of the "Arrow" fanbase spectrum. I'm #AntiFlashbacks and #ProSuperpowers. It's lonely on this side…

On the whole, I really enjoyed the way this episode was shot. It definitely had a more cinematic feel, especially with Barry Allen's pre-introduction getting off the train in the rain.

Question: *possible spoiler alert* So, did they basically make infinite versions of themselves? What happened to all the OTHER versions of themselves? There had to be at least 5 or 6 different versions of themselves walking around in the world by the end of the movie…

When Slade finally makes his grand re-entrance on "Arrow," be ready for the Deathstroke vs. Deadpool arguments. Ya'll, this gon' be good.

Deadshot: "I take you to the girl. You take me out."

As @Shakes_McQueen:disqus pointed out, the flashbacks have, for the most part, just been so very, very slow. Of course, they've picked up a little bit during this season, but they were almost unbearable last season and just interrupted the flow of the present-time story way too much. I agree with you in the sense that…