avclub-9976473e5d3a3143ced6cf1511098e5b--disqus
gottacook2
avclub-9976473e5d3a3143ced6cf1511098e5b--disqus

Does the pie fight footage exist? (I assume that if it were included as an extra feature in the Criterion release, it would've been mentioned here.)

Should I be ashamed or proud to have come up with the episode that line's from in less than 1.5 seconds?

Specifically, the two-naveled mutated Earth human was played by Mariette Hartley, the main "guest star" of the Roddenberry pilot Genesis II.

This "claiming to have been a black man" is news to me - unless you count her having dressed up as a black man, and that was 39 years ago. (See cover of Don Juan's Reckless Daughter pictured above)

Glad to see the attention paid to songs from For the Roses. I haven't been able to muster much interest in Joni's songs since the 1970s, and in 1993-94 saw her perform an absolute downer of a song, "Sex Kills," on the Letterman show. But I do think her records of the 1960s and '70s will live on.

In 1991, The Undiscovered Country premiered with "For Gene Roddenberry" at the top. Roddenberry died October 24 and the film opened December 6. If that could be added to old-tech film prints within 6 weeks, I'd guess that any tribute to Yelchin could be added to a modern digital release within 4 weeks.

The Incredibles is the first Pixar movie that my family and I saw in a theater, and the first we bought on DVD. What you say is true but there's also the great production design, as in, I want to live in a house like theirs (and feel sad that they themselves can't do so any longer, irrespective of their being

Fine record, but Nilsson didn't write it - Fred Neil did. Nilsson did write "I Guess the Lord Must Be in New York City" for Midnight Cowboy, but the director (John Schlesinger) had been using Nilsson's cover of "Everybody's Talkin' " for a rough cut and decided to keep it in, although the Nilsson-original song was

Heck, I've been waiting 50 years for a sequel to The Man Called Flintstone.

It'll be Shrek: The Next Generation, I'd wager, with a new cast; they'd prefer not to pay actors as much as Meyers/Diaz/Murphy would want.

Both of his Lost in Space themes are good. The second one, from the third and final season (1967-68), has been very successfully turned into a marching-band arrangement that I heard in a TV broadcast of a parade a few years ago.

I've got a copy of the John-and-Yoko Two Virgins LP that's been in my family since 1969. Used to be worth a lot more several decades ago, I think, but I've never really researched it. Like (I'm sure) nearly all extant copies of Two Virgins, it has been played twice at most.

No-no, no-no, the reddish-brown one.

Sure. It does have one track that was held over for Lovesexy ("When 2 Are in Love"). One of my favorite tracks is the (almost entirely) instrumental "2 Nigs United for West Compton."

I think you've just created Schrödinger's dog…

I'm old enough to remember a much earlier round of Joni Mitchell parody via the National Lampoon and its stage show Lemmings, and I did appreciate that segment of the Tina/Maya bit. They were also funny clambering up onto their high stools.

When I saw the Monkees (minus Nesmith) in 1986 at the Carlton Celebrity Room - the setting for the Jose Feliciano scene in Fargo - they led off with "She."

Delany? I'd start with the novella "The Star-Pit" and the novel Babel-17.

Minnesota was once a lot more successful in enticing productions to film there. I saw two different movies being shot in Northeast Mpls. during 1991-93: Untamed Heart (Christian Slater, Marisa Tomei, Kyle Secor) and Crossing the Bridge with Josh Charles long before he became well-known. The latter was a period piece

The "two little girls" are Carr's daughters, aren't they? From what I know of the book, they're the reason he decided not to give up.