I'd probably regret outright defending it, so I'll just say it easily surpasses Daredevil and let the curious decide for themselves.

In case someone has been grievously injured and is thinking of watching the Daredevil franchise, the Elektra movie was way way better.

Ugh, I just checked out his twitter feed. Living in Brooklyn and being married to journalist, I know the type. How him and his ilk land impossibly hard to get jobs at the best newspapers in the country is fucking mind boggling.

Sure, there's a sense of WSJ fucked up because there's no way *those guys* could ever get it. But I have a friend who writes for a Financial Times affiliate and is one of the biggest metal fans I've ever met - from Sabbath/Maiden/Big 4 to obscure Japanese bands to bleeding ass core or whatever they call the new stuff.…

I think the reason for a F4 reboot is that the first two were really really terrible. I would buy an artistic justification from a studio even though in my heart I know it's bullshit.

Because conversations are better than fucking google. If someone says, "Oh, ______ was in this. It was really cool/sucked and here's why," I'm way more likely to remember that than looking shit up on imdb, which just wastes valuable pornography time.

I think you're right.

Who?

Denton, TX is full of slacker bands. They haven't been that prolific, but I'm pretty sure they've been together this whole time.

Well, besides the fact that Miles played trumpet, that was kind of the point. It just didn't fit in with everything else, at least according to the interview I read. I think this is it: http://www.heavymetalbebop….

Perfectly stated, except they're expected to write for free now.

No. One of Laswell's best and the fucking sidemen are ridiculous - Tony Williams, Laswell, and Steve Vai playing something post Zappa that I can actually listen to. Miles Davis recorded on it too, but his parts didn't make the release.

All of the hardcore punks I knew (ie suburban kids with Exploited t-shirts, punkish haircuts and anarchy patches whose moms drove them to the skate park if they lived too far away to ride their bikes) hated PIL with a passion. Some could cop to liking the earlier stuff, but albums like Happy? and 9 were like fucking…

I can't say why they changed Andrea, but a lot of the characters - Dale, Carol, Hershall, maybe Tyrese, the Governor, are pretty different. Some of the character changes are an improvement - Carol and Hershall are way better than in the comic. Dale and Andrea, who are an item in the comic, are pretty much thought of…

Yeah, the Andrea hate is pretty over the top and pathetic. I think her character was pretty good in seasons 1 and 2, but I do at least agree with those who thought season 3 could have used much better characterization.

I'd say Milton messed with his plans. Tyresse's character is sure as hell taking it's time to develop, but I don't think that's fucked. Sure this was an anticlimactic season finale. But as someone who's read the comics, I at least feel like I can watch the show and have no idea what's going to happen, which is cool.

Bear McCreary. Also did BSG.

It was ambiguous. I was expecting the Woodbury guy to try something though I was pretty surprised when Carl straight up shot him. I thought that was great scene.

I've been pretty disappointed, but mostly because I was waiting for Morrissey to get comics level evil. I think the last three or four episodes have done a pretty good job of showing how that was never the intention. Morrissey's governor is a guy who plays the diplomat and politician way more than he does fucked up…

Sending death threats to actors? That sucks. But there's not much else to do when you live in your mom's basement and your wanking wrist starts to give out.