avclub-9607d7e8ba62326e5ccb659251a9216d--disqus
clang
avclub-9607d7e8ba62326e5ccb659251a9216d--disqus

Namor isn't tied up in Fantastic Four rights but Universal has rights to him and only him. Like, they saw the list of Marvel superheroes, pointed at Namor, and said "I WANT THAT ONE."

The other cases of this happening are all one book being split into multiple movies but still having one plot, and most of the time it's awkward and uncomfortable. Marvel's movies are a lot savvier about being movies first and adaptations second, so if they're splitting the movie into two I'd assume it's because

I appreciate that Harry Potter 7 did that, because Part 1 is all of the boring unimportant stuff from Deathly Hallows, and Part 2 is where everything starts to actually get good. So they made one really boring movie in order to make another awesome one.

They Might Be Giants, too, though the self-titled song wasn't on the self-titled album

The first of many comparisons you could make between the oeuvres of Otis Redding and Crazy Town

There's a hidden meaning. The numbers David Bowie are reading out are alt codes, and they come together to spell "SMASH MOUTH".

They're in on the joke- System of a Down didn't write that song either, and it was misattributed to them all the time as well.

How does Frank Ocean fit into that model, though?

What didn't you like about Nanobots? Personally I thought it was fantastic!