avclub-95e2374e4c9f5f49f0e03fac57fb95d3--disqus
TroutMaskReplicant
avclub-95e2374e4c9f5f49f0e03fac57fb95d3--disqus

Apparently I'm the only one who liked the trailer. Actually made me wanna see this fucking thing.

It's great to hear Charm of the Highway Strip get the love it deserves. That album is perfect.

Except they're not raving about the clip. At least not here. They're raving about someone attaching the Swanson gif to the ten-minute loop.

NOOOOOOOOOOO!!!

Look me in the eyes.

Oh my lordy I love that song. So fuckin' beautiful.

I think it's a tie between every fucking song on Let It Be. And then some.

Don't worry, it's pretty alright.

@avclub-1beee9fdd7f132dc2f36c09ae265122c:disqus

Who said anything about suffering?

Gimmick? Quoi?

If you're gonna troll, at least make it a little less pathetic.

I don't know. Let's say top five. I mean, there've been some good fucking finales. Larry Sanders, Newhart, Six Feet Under, etc.

From the Wikipedia entry:

Except Rabin isn't trying to make a case that this is much beyond a generic earworm. His point is that it's rare to find a pop hit about killing young children playing in family restaurants, shopping malls, and school dances. In that regard, "Psycho Killer" is not an apt comparison. (Neither does it work lyrically:

Were you alive in the 90s or prior? Believe me, it happened.

I really liked this book. I really fucking hated A Separate Peace.

Absolutely. I mean, "Into My Arms"? Get the fuck outta here. So beautiful.

I don't think it's better than DLD or AB/LoO, but it follows closely behind. I think that's mainly due to my preferring slimy, high-energy stuff over the quieter cuts. Which isn't to say the quieter stuff is bad (it's not, this is fucking Nick Cave we're talking about).

Same here. Also, I forgot how fucking great "Beat City" is.