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Rosalie
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Also, the last time I heard about Homeward Bound was during that amazing episode of the Leftovers with the karaoke scene and this great song. I know there is no connection between the two and that I'm being unreasonable but somehow, my brain was expecting more from an episode with such a title.

"You're an adult. She's a baby. Why do you need more help than a baby?" has to be the line of the episode, of the show maybe?

Initials BB is essential Gainsbourg. It's a pop gem. L'Homme à la tête de chou is more concept, but just wonderful. My personal favorite is "Variations sur Marilou". You're in for a treat.

I think the autobiographical elements exist in his other films, like in Greenberg. In an article in the New Yorker about Baumbach, his father is quoted as saying : “Noah’s joke is that ‘The Squid and the Whale’ was me at my worst, ‘Margot’ was Georgia (the mother) at her worst, and ‘Greenberg’ was him at his worst.” I

I liked Henry. But I wasn't a fan of Teddy. Sadly, Henry's death was one too many (already) and it certainly didn't have the impact of Denny's death. I mean, season 2 of Grey's was dope. That's why I hope they don't go down that road again. It will always be compared to "Losing my Religion" IMO, and it will lose.

I thought it started like a cheap version of the Denny/Izzie story. The charming patient openly flirting with the doctor, who, reluctant at first, ends up holding his hand during the procedure. I might be wrong. I hope I'm wrong.

Waouh. Why didn't I think about Henry? #3 it is.

Barely any Alex. So, no. And Valderrama is Denny Duquette #2, right? GA is back to its boring self.

Oh, Nina. "In a place like this, you have been a surprise."

Alex doing his Jon Lovitz eyes at the window was everything. If anything, I am going to miss Steve Zissis and Amanda Peet, together or apart. But when they are together : magic dust everywhere. Also, I am going to miss the very good choices of music in this show. The Laura Marling song at the end? Damn.

She wrote The Panic in Central Park. And she's executive producer of the show. It has to count for something.

Yes, I know what you mean. But my comparison of the two episodes has less to do with Wilson’s character or even Charlie and more to do with the nature of both episodes. I remember people here talking about the dreamlike tone of One Man’s Trash and the possibility that Hannah never actually lived those two days with

"It's easy to lose sight of what's important and good people are what's important." Ugh… Douchebag alert. Corey Stoll is killing it but Elijah should have seen this coming.

I don't think Charlie will ever be mentioned again, just like Patrick Wilson's character in One Man's trash was never acknowledged. Last week episode belongs to a dreamlike parallel universe.

I realize that I have never found Marnie as beautiful as in this episode, the end of it mostly. And Marnie, let's face it, IS a beautiful young woman. But, to me, her many efforts, throughout the show, to make her life look like something more beautiful and perfect than it actually is, have always made her ugly. It

I saw it. Thanks. I imagine this doesn't end well for him. But I just don't know if it will be shown or addressed on the show. Or that I want it to be.

It is true that Girls never really dealt with death (except for David, the editor) I don't know if they would ever go this way but a death in their lives could be a turning point for Hannah, Marnie and co. They all, in their own way and at their own pace, would stop being just girls and become adults. I don't know,

Oh. That would be disappointing. Well, any name would be.

Watched it again. It is really a beautiful little film in itself. I love the simplicity of Charlie trying to communicate with Marnie again by saying "Just talk to me, ok?" From the moment they start walking and talking again, it feels like it does in life : there are some people in your life who you can talk to with

Richard Masur?