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mister880
avclub-92399b30096fc966aa817277948c535a--disqus

It wasn't featured in a particularly scary episode, but I've always wanted to try that Fear Soup. Those old people seemed to really enjoy it.

Jack Johnson, Mumford and Sons, Edward Sharpe, The Flaming Lips…

In A Small Body by Titus Andronicus also makes use of this opening. But really, Be My Baby can't even begin to be as ubiquitous as Amen Brother. That break pops up everywhere.

For anyone who hasn't seen this movie, it is worth the price of admission to hear that isolated and played over a movie theater's sound system, believe me.

I prefer Super Fly's soundtrack, but Hot Buttered Soul is a goddamn masterpiece. That long outro to Walk On By is pure bliss.

Fingers crossed that the hoodie-as-pants look, pictured above, catches on.

New album from The Body. Hell yes. All The Waters… was brilliant. It could have made year-end lists on the madness of the first track alone. Cannot wait for the new stuff.

That box set is beautiful. It's also much more portable as three volumes, which is why I bought it.

Woodstock, Illinois: We've got a plaque for that.

He's finally matched the former highlight of his career: Begging Skeet Ulrich to stab him in the stomach, then crying when the blade goes too deep.

Great song, hadn't seen the video before. I learned about the Juarez murders after reading 2666. Stomach turning stuff.

What I said when Ted Levine burst into the interrogation room.

How perfect is this show's theme and credit sequence? Gives me chills every time.

Wow. "Have you ever had your dick sucked by a Southern girl with a huge cock?"

The A.V. Club
Let the hate flow, people.

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The end of Gas Station Rebate. Best TV moment of the decade.

So much hate for Soundgarden around here! Just want to say that if Audioslave is the price we pay for songs like Slaves and Bulldozers, I'll pay that any day. Shit will put hair on your chest.

Just be glad this didn't devolve into a pun thread. No one wants it to come to that.

There was a great excerpt from this in the June issue of Harper's. Welles met with an executive from HBO in 1983 to pitch a miniseries about a resort in an imaginary Central American country during a fictional coup. He doesn't get much further than that in his description because, according to him, at the word