Fire him!!!

I like Nathan Fillion as much as the next guy, but as an actor he really belongs on television. He mugs a little too much for the big screen.

I'm trying to imagine what a big budget Orange is the New Black would look like: "A white middle class woman's involvement in drug smuggling comes back to haunt her, and now she has to deal with living in the newly constructed space prison where the galaxy's most dangerous and quirky women criminals are held."

Oh, man. Those comments were a delight. I mean, there were multiple people who commented just so they could call the AVClub a bunch of libtards. And then, out of nowhere, people started parroting the line about "these days, every kid gets a medal." Thanks for the heads up.

There are so many incredible moments in that Breitbart article. I love that the author first apologizes for his use of profanity and then uses dashes when calling Sean O'Neal a "starf**ker." And in my head I'm imagining that he's saying it like that car buyer in Fargo who gets ripped off by William H. Macy's…

I first saw this movie when I was an adult, but if I had watched it when I was younger, I would imagine that it might freak me out. I think the moment when the film completely won me over was when Molly Grue has her monologue where she yells at the Unicorn for appearing to her now as a withered old woman and not when…

I'm really digging this show, and the case of the week format is actually refreshing. I like serialization as much as the next guy, but sometimes it seems like TV show writers have forgotten how to write satisfying one-and-done episodes.

I hope the centaur who becomes a horse becomes a part of the show. That way they can deal with the kind of discrimination that affects Centaurs. From what I hear, the Daily Planet hangs a visible sign claiming they "don't hire dirty centaurs".

Are you sure this news item isn't from ten years ago?

It might have been a colossally stupid move to ban journalists. Film journalists might be more open to the Wachowskis' brand of insanity than the average Sundance attendee.

I'm ignorant about the nuts and bolts about film making, but I can never figure out where all of this money goes to. I recently watched that Riddick film, which had some decent special effects, and it cost less than $40 million.

I'll probably see this, but when I go to the movie theater I'll buy tickets from one of those kiosks rather than ask another human being for a ticket to Jupiter Ascending.

I felt like the Wachowskis were making a creative comeback with Speed Racer and Cloud Atlas (which I actually really liked). I'm still rooting for Jupiter Ascending, even if the trailers don't make it look all that appealing.

I know this is impossible, but I'm going to come right out and say that they were all the worst.

I can see how you might be disappointed with the show if you're expecting something along the lines of The Wire. The Americans may not be "great art" but it's "great pulp art." There are some smart ideas in the series, but it's best at creating thrilling action and fun characters. I would recommend ignoring all of…

That'll do.

The show has some great period detail, but it in no way is trying to present a realistic look at Russian spies during the cold war, which is why I'm forgiving of the Martha marriage (plus it was a hell of a twist at the time). As far as the main characters not being dynamic enough, I have no clue what you're talking…

I would totally watch a domestic drama prequel that follows Barbara and Johnny as they deal with the loss of their father and the turmoil his death causes their family.

Sure. Why not.

Hopefully Eli Roth's stays busy as a director so he will no longer have the time to cameo in Tarantino movies and ruin entire scenes with his shitty acting.