I think it's great but I agree once may have been enough. I think it was actually as close as I'd ever been to tears in a theater for awhile. I've not been too tempted to revisit it on Netflix Instant the whole time it's been there.

Of my top albums of the year, Tim Bowness' Abandoned Dancehall Dreams is probably under most of your radars, but it's brilliant. Modern art rock done with sensitivity to every detail, and every instrument tells as much a story as Tim does with his voice and lyrics.

Not much into blondes but damn those Gibsons are beautiful.

People in power especially.

He married Keith Moon's ex-wife, and The Who almost considered him as a keyboardist before settling on John Bundrick, because of his connection to Kenney Jones.

Can't blame him.

I watched this at a gym, and just with the sound off and the lines closed captioned it's still a heartbreaker. One of the better dramatic scenes in a sitcom ever.

Age, too. I watched The Family just a few days ago and she's as gorgeous as ever.

That first album was something. He's got his dad's chops and is not too bad with a pair of sticks either.

If the sun refused to shine, the mountains fell to the sea, and all the hippies cut their hair, but I only had this picture, I'd be pretty fine.

https://www.youtube.com/wat…

That was pretty cool. He should just take "I Still Haven't Found What I'm Looking For" from them completely.

I got into quite a few bands based on their reviews in that magazine alone, namely Crippled Black Phoenix among others.

And Plant's album is actually quite good.

I think it's more the movie that was a flop than the album.

And they gave it 2 and a half stars.

I really wanted to see it at the local indie cinema but it never came round.

According to IMDB trivia, it took over 10 years to get made and underwent a lot of changes. At one point it was going to be about a Scottish couple who were aliens in disguise, with Brad Pitt as the husband. Somehow it would have been a perfect follow-up for him and his current spouse to the film they did before.

I could gouge out my baby blues, throw them down the hallway, and it still wouldn't be adequate enough eye-rolling that this story has brought out in me.

I thought it was good, but it kind of showed that Kubrick and/or Clarke's instinct in 2001 to eschew human drama in order to focus on the bigger picture was the best thing they could have done for it. I really don't believe that Nolan was trying to top what it had done, but his own instincts to make it about man's…