Are there any Fenders you'd consider? You seem like you'd be more of a Telecaster guy if given the choice.

If we're talking from the time it came out until now I'd agree. Otherwise Zeppelin would probably take the top spot for me.

Gus Fring?

Butch Cassidy or The Sting?

That kind of thing really only should apply to untapped talent.

Did anyone else see Bill Hader's Bob Simon impression on Late Night recently? It was "pound-on-my-desk" funny.

Back when TNT had some promise as a competitor to FX and AMC, along with Saving Grace.

I loved Quantum Leap as a kid, as it fit perfectly into my obsession with time travel. And Necessary Roughness was one of those movies that was always on HBO back in the day so I have some fond memories of that one too.

Amused To Death slays both of them.

There is actually a reason more archival stuff hasn't come out since the 3 Immersion boxes in 2011-2. The halt on why there hasn't been more is that they could be waiting until 2016 when the "Pink Floyd Music Ltd." license expires, which was owned by EMI but now Warner Bros. has it until that time when the band is…

Agree with everything, but Gilmour isn't actually that bad of a lyricist. Not as deep as Waters of course, but on at least one song he's gotten there. "Coming Back To Life" on The Division Bell is a really good song on all those fronts you mentioned, plus the lyric which is all him.

Is there anybody out there who does? Or is nobody home in that respect?

I guarantee this will be easier on the ears than any of Roger's solo albums (and I like them).

It's all instrumental except the one song, which is written by his novelist wife.

ommagumma, it's really coming.

The song that's in Shrek is a lot better. There's one in Bottle Rocket too.

Quaid played him as less charming, and also had a good chemistry with Isabella Rossellini as quarreling lovers. I really think Wyatt Earp is much better than it's rep.

Don't forget Pat Garrett & Billy The Kid. Elvis Mitchell summed up the movie perfectly saying it could very well have been set in the 1970's as opposed to the 1870's.

I think it's a little more grounded compared to the Dollars movies. I'm not sure I could even call it a "spaghetti western" as such because it's much more reserved in terms of pacing. And especially in the action sequences, where everything is more in the build-up, much different than say Peckinpah where the…

I love that little move. Again, that feels like something someone would actually do at that moment.