The most they'd have to worry about is using Motown stuff, but otherwise yeah I imagine it wouldn't be too hard to get.

I'd actually go for "I'm The Face" by The High Numbers, before they were The Who.

Galifianakis looks really good in this.

I have no reason to slag this off because of the director, since it clearly won't be an action series.

I heard there was going to be a Quadrophenia sequel, but a TV show about Mods & Rockers sounds like a much better idea.

I've seen 2 features in IMAX, both 3D but I'd really like to see this in that format. Also wish I could have seen Skyfall in it.

If it came down to a push-up contest Palance still would have won.

Nobody has ever made country more cool, or celebrity Christianity more tolerable than him.

I really really want to see this now.

“hopeful that we are not alone in our belief that there are others out there who desire more from love—and the movies—than objectification or domination”

The remarkable thing is is that he managed to maintain a good relationship with Warner Brothers, especially after Three Kings and The Perfect Storm. He was still on the show which was a ratings monster too, so any blip on the radar, even Batman could be forgiven.

It could just be the zone he felt comfortable in, or that he wanted to one-up Carrey at every possible point.

I love the story that he showed up on ER in full costume one time.

He deserved so much more credit for his performance. It was overshadowed by Ledger understandably, but what he brought was equally if not more strong. I think the only spot where it falters a bit is at the end.

I realize there would be little in it for WB, and possibly a huge backlash from parent's groups about doing such a thing, but Darren Aaronofsky's idea of doing a hard-R Batman was pretty great.

I still like the first Burton movie, but the Nolan movies speak to a combination of what I loved about those movies as a kid with some of what I like about movies now. The Dark Knight particularly, which to me has almost equal grit to something like No Country For Old Men or Heat though it's much less nihilistic than…

I'm either or on the subject. Strictly speaking on an artistic level, people have done some amazing things on digital in both film and TV that have made me appreciate what the medium can do, in the right hands. And for me it's more about whose hands it's in than the medium itself. That David Fincher and Nolan do these…

What would be the solution to that particular problem then?

None at all? Have people tried working on how to fix this?

But he "retired". I'd use air quotes if I weren't typing.