If you like his classic solo stuff check out his albums from around 2000 up until recently. Some great stuff there too.

For some reason I thought it was Belew on that, not Bob. Makes sense now because the guitar sounds a bit like the one he played on Peter Gabriel's "No Self-Control".

That album is probably Steve at his best with Yes, as a soloist at least. Probably because it had no Rick Wakeman or Patrick Moraz to steal his thunder. "Gates Of Delirium" is probably the most epic solo of his outside of The Yes Album.

I love "Bridge Of Sighs" and "Daydream".

Zakk's great, but Randy was so much better. He could have really become so much more than Ozzy's guitar player were it not for his death. Guy was a genius, and it's evident in how much Ozzy still holds him in reverence.

The way it builds up to that part live is epic. The studio version still stands up well too.

Isn't it her husband Neil Giraldo, who for some reason has to be billed alongside her whenever she tours now?

And he's been battling cancer, too.

I liked the version that was in Song Remains The Same more than the original, laughter and all.

Dire Straits - "Telegraph Road". Santana "Europa (Earth's Cry, Heaven's Smile)". Genesis - "Firth Of Fifth". Al Stewart - Year Of The Cat (played by Tim Renwick, best known for playing guitar with Pink Floyd on their last two tours, and Live8). Most recent one I really love is Guthrie Govan's solo on Steven Wilson's…

It's not all synth, actually. The "pillows" scene culminates in a short blast of horns and strings from what I remember.

In hindsight they should have cast him for the opening of Space Cowboys, instead of putting TLJ's voice on a younger actor.

Wreck-It Ralph. I liked it, up to standard with the Pixar stuff I think. Perfect voice cast and great animation.

Check out Paul Tingen's book, Miles Beyond about his electric period.

In grade school I remember seeing Jumanji on a field trip to our local theater. I remember seeing Romeo + Juliet when I was a Freshman, and being so emotionally drained by it, that the next period I could feel the tears come strong. I asked for a bathroom break, and fortunately was able to finally cry it out when I…

You win the thread for Apocalypse Now.

Haven't seen it. I can just imagine how white-washed that period of rap music will become in movies for years to come.

I wonder if that movie Wendell was supposed to do playing B.B. King ever got off the ground.

Glad Don made the finish line to this, because the other attempt at making a Miles movie (from the director of the Biggie film I can't even remember the name of) just sounded too mundane and awful.

Rick Overton said his overbite in The Informant! (also featuring Tom Wilson) was based on Biff.