I liked it, but am surprised there's a sequel coming.
onthewall2983
avclub-90248d0a98105fa534cf2b0696ddd12f--disqus
Is it true she's retiring?
"Breakfast At Tiffany's" is infinitely more awful than Collective Soul.
I watched a bit of it on Sundance awhile back. Having dealt with autistic adults, she performs it to a tee.
I don't care what anyone says, "Runaway Train" is a great song (an affecting video, too). Not so sure I've even heard their other songs though.
I wonder what he thinks of Cronenberg's stuff. I'm far from one to talk about this, but it never seems like heavy metal guys go for the more arty-horror stuff.
They had a bit of a cross-over appeal from alternative stations who played Nirvana and REM, to modern rock stations who play Guns 'n Roses and Skid Row. The first and latter two are quite from different tribes, but Collective Soul seemed to have come in the middle.
I consider them a bit of a guilty pleasure. They swung heavily towards the hard rock side of grunge, which I admittedly gravitated to easier than the punk side. But there are some cringe-worthy elements, especially the more pretentious lyrics on some of their biggest hits ("Precious Declaration", while a good song I'm…
Yeah that pretty much renders any comment we make useless.
Saw Gregg Allman in concert Tuesday night. His voice sounded great, his band cooked, and I was around 15-20 feet from him and his Hammond B-3. The highlight of the set was probably "Dreams", especially the solo section where his guitarist, saxophonist and 2nd keyboardist traded licks.
If you could translate the rhythm to which he narrates to music it would just be playing a few notes over and over again.
I liked the HBO special he did as W far better than anything on the show.
Danny Trejo's final scene in Heat the first time I saw it.
He's certainly worthy of parody or mockery, but I didn't like Will Ferrell's impersonation on SNL. He got the mannerisms right, but the voice was all wrong.
Just sad that it was the last thing Entwistle recorded with them. That and that they couldn't get a real drummer to record it. But I like it, especially the "Take Me To The Pilot" bit Pete does as a bridge.
In the larger spectrum of things you can't have one without the other (as well as the Lifehouse disaster that came in between these two periods). I love both equally in some measures, but mostly I think Quadrophenia is superior in more ways.
Absolutely. I'm pretty sure that The Who are the only band Warren Oates and I might agree with. They accessed a large spectrum of sounds and emotions that both punks and proggers can love.
There's a supplement on the Amazing Journey DVD that breaks down what each member contributed. The Pete section is particularly good at showing where his style came from.