That would be awesome on top of awesome, frankly.

He was in a commercial a few years ago right in the middle of all that, too. I forget what for.

I've had a few in my dreams that I would have liked to have seen. I had two related to the Who (one where I was the drummer, playing a gig in my HS gymnasium) and one where I was at a show and what I mostly remember was hearing Live At Leeds, but as if I was actually there.

Cool thing is is that they basically played the whole night of filming, even when the cameras weren't rolling.

Such a badass on Damages. I didn't even know it was the same guy as his character on The Wire until I read his IMDB.

@avclub-5f4a07d5cb1ff81fcc5c7c2bfb24806f:disqus Because with a name like Aguilera, she has to be Irish right?

Is it strange that I find her American accent sexier than her actual one?

I think it's because it's on at the exact time their viewers fall asleep in front of the TV.

A pair of scissors and a red marker might help.

Michael Douglas is playing Reagan, and Waltz is playing Gorbachev.

I remember it, vaguely.

The idea of him dying in the car in NH is interesting, but it doesn't quite explain the cold openings from both halves of the season. But you're right, I think the fact that we were given such a cut-and-dry ending will be a matter of discussion for a long time.

People take these things at face value, and come up with these rather half-cooked reactions (be they negative or positive). I'm not saying I'm any smarter than them, but I try and look beyond what's happened. In this particular case, I think what people were disappointed in was that it wasn't a continuation of the…

I didn't care for how Seinfeld ended, except this idea that placing these characters outside of their universe shows how selfish they are.

It's the one most open to interpretation I've seen. I'd always believed that it would have ended very violently and dramatically, and I'm not entirely convinced with how it was set up that life would have gone on for the Soprano clan. But I've read some convincing readings into it that believe otherwise.

Although not intentionally done as one, the final moments of the last episode of Terriers is pretty great. It could have become a great show, but ending there is very very bittersweet because it's so open-ended.

Especially on a cop show.

I have fonder memories of the trolley (especially the music and the traffic light).

Well-deserved.

Would have been nice if the show ended like a John Hughes movie and after the credits we see Huell, still sitting nervously in his hotel room.