I have the compulsive need to watch "Emergency Response" and "Leslie and Ben" back to back to see how much better that hour would have been over The Office.

This might have been the most solid episode yet, and next week looks like a rom-com ep with Seth Rogan, which has potential, but could also be dreadful. That's one thing that's baffled me about this show, considering how Kaling's episodes of The Office almost always delved into rom-com territory, and were almost…

I had a few moments where I thought she might actually be a demon, but I also thought it was definitely her that made the deal. I knew she was in the thick of it, regardless.

I thought this was the weakest episode so far, but it was still really enjoyable. I was glad that Armond was given less screen time, I thought it actually prevented the gag from running thin like it did before. Plus, Milonakis is generally a treat. I was happy to see Fabrice Fabrice, and Can I Finish?! was just a…

Pretty great episode, and after reading the review, I don't really understand the grade. Because it was unexpectedly more funny than last week?

They've been working on this for like two years.

So how unnecessary was that "Previously on Girls" clip? 

Usually when Portlandia has a so-so episode I don't really realize it till afterward, but I found myself getting bored with some of these. The furniture sketch got me excited but I was so distracted by how annoying I thought those mouth noises were.

That was a perfectly adequate episode of television. I'm looking forward to see how the rest of the season plays out. 

Ah! Glad to know it's not just my television or area. I wish I knew. Switching from Supernatural to The Americans was like the metal torture scene from Zero Dark Thirty.

As much as I probably would have hated it, I was waiting anxiously for someone to actually say "Everybody hates Hitler!" Unless they totally did and I missed it, The CW is so damn quiet for me and getting it to an acceptable volume just absolutely destroys the sound quality.

At first I wanted to question the logistics of a Devil's trap on the end of a bullet but I realized how awesome that sounds and let it go.

Usually with something as brilliant as Gene-Bob I'd be wishing they gave it the main narrative, but it worked so beautifully as the b-plot. That, and I'm usually a sucker for Tina-centric episodes. Also, the kids' classmates are pretty solidly locked in as a my favorite supporting characters.

What evidence is there that there's any romantic interest there? Seriously, any at all would be refreshing, because people keep bringing up this argument and it makes no sense. You can dislike the ending for a variety of reasons, but this one is the only one I don't think is valid. The guy doesn't even actually hug…

What evidence is there that there's any romantic interest there? Seriously, any at all would be refreshing, because people keep bringing up this argument and it makes no sense. You can dislike the ending for a variety of reasons, but this one is the only one I don't think is valid. The guy doesn't even actually hug…

Let's not forget Michael Scott's final scene, where he removes the mic and hands it to the crew. That isn't an idea just new to this season.

Let's not forget Michael Scott's final scene, where he removes the mic and hands it to the crew. That isn't an idea just new to this season.

Good-not-great episode, but I can live with a few of those now and then. I think this episode might have also been overshadowed by 30 Rock.

Talk about a missed opportunity, especially from a show that's had some really great episode titles in the past. I know they're a small part of an episode but I've always enjoyed a great episode title.

Talk about a missed opportunity, especially from a show that's had some really great episode titles in the past. I know they're a small part of an episode but I've always enjoyed a great episode title.