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Literally the only interesting thing about The Chainsmokers is speculating exactly what method they used to measure their cocks. As far as I'm concerned the only way it makes sense is that they must have stood there facing each other and actually put them "tip to tip" and then measured. That's the implication, really.

For me it has to be Daredevil. It was a last minute decision when some friends and I didn't have anything else to do on a rainy Valentine's Day in NYC. We'd already been drinking fairly heavily and because the theater was packed we ended up sitting in the very front row, contorting our necks like inebriated swans to

Yeah, Varner's a perfect example of that whole "I support you and your cause! We're all the same! This is such a non-issue to me that I don't understand why you haven't just told everyone!" false-equivalence nonsense that people who really have no skin the game feel gives them to right to speak for experiences they

Oh, as soon as Varnergate rolls over Tai will go right back to fretting himself into an anxious froth and courting disaster.

What Varner did was absolutely despicable, but watching him realize what he had done over the course of tribal council, punctuated by him breaking down in his final confessional was brutal. I couldn't even take any kind of righteous joy in watching a villain get his comeuppance; Varner seems like a decent guy who

Self-destructive seems a little harsh. Restless, maybe. A lot of actors don't want to sign onto franchises or potentially long-running TV shows because they want the opportunity to play other roles. Also, they're scared of typecasting. Look at Harrison Ford's career: He's hugely successful as long as he stays in his

I feel like Debbie and Phillip Sheppard should get together and talk about all of their imaginary careers.

Baldwin's doing great, but in the excerpts from his book that I've read, he realized that, for whatever reason, he wasn't going to have the sort of movie career he wanted, so he "decided" to pursue more TV work. Which is to his credit; he found his niche as "that guy who plays an asshole really well."

I don't think he's terrible, but he does sort of have one setting, with comedic and dramatic variations. As someone said above, he's got a great voice that disguises all manner of flaws. And he's definitely one of those actors who improves when he's given great material (the GGR "closers" speech, the best 30 Rock

Baldwin doesn't seem to have much a self-censor, and who knows how it's hurt his career. I mean, I'm eternally grateful for his part in making 30 Rock happen, but he's one of those actors who followed the David Caruso "TV > Movies > TV" path, although he took a lot longer to do it. But it's refreshing for an actor to

Yeah, Tai really doesn't have a clue how to play the game, other than having a knack for finding idols. His emotions live right up on the surface and he doesn't have any talent for strategy. For a split second I thought he was concocting an elaborate "vote for Ozzy and I'll give him one of my idols, and the vote will

Watched this on VOD over the weekend and liked it a lot. I had seen the trailer and forgotten most of what it gave away, which I'm pretty glad about. Thought Kiernan gave a great performance that really capitalized on her natural stillness to convey otherworldliness. The plot itself wasn't much, and even though the

Also effective: early Roxy Music ('The Bogus Man' works great); 'Diamond Meadows' by T. Rex.

I like to put on 'Goodnight Ladies' from Transformer, because it gets the message across and also seems to make people really uncomfortable. It's an excellent party filter—anybody who actually enjoys it can stick around for as long as they want.

If by cement his legacy Tony meant "yodel through the woods to attract attention to himself and then realize that nobody was following him," then mission accomplished.

Yeah, that was a really strange moment. Because you're right, he was all hidden under a bush and could have just spied on them and gotten away with it. Tony seems like one of those players who came out of the game and decided that the person he was on the show is the person he is now in real life.

Asking the actors how they felt about Dawn is inane, because it's basically a question for the character, and it's ridiculous. Did James Marsters care that Joss Whedon created a kid sister for Buffy that was made by magic? Probably not. Marsters actually gives the question a lot of thought, which is to his credit.

I don't think I've ever felt so happy about an elimination as when Tony went home second. Second! I hated him the first time and he seemed determined to double down on his crazy "I have to camouflage myself in various secret outposts like I'm being hunted through the jungle by the Predator" behavior. Did he not

Yup, we were strongly encouraged to attend all the tapings, although taking attendance was a practical impossibility. Lipton would always hold forth about how it wasn't just a show, but a "master class in craft" given by the guest, which was ludicrous considering the majority of the interview was sucked up by James

Yeah, he basically managed to parlay what's essentially a C or D list career into something that has all the trappings of acclaim. But spend any time around the man and it's clear that he ended up where he is today as the result of a combination of networking/being in the right place at the right time and brazen