An allusion to what could be interpreted as a search in someone's past for something to object to. In truth it was a bad joke that I regret making. I chose to neither edit nor delete it as a lesson to myself.
An allusion to what could be interpreted as a search in someone's past for something to object to. In truth it was a bad joke that I regret making. I chose to neither edit nor delete it as a lesson to myself.
Almost like the state troopers association Trevor Noah'd the guy.
Hell, I'd wear most of those too.
Really? Hmm!
The '80s were definitely the time for batshit fashions like that.
Man does Paige look so terrifically, painfully like an adult in this episode. Some excellent choices in costuming and the composition of shots.
It does pull out a lot of stops as far as gimmicky writing. Lazy mythology; a profusion of generic characters, each more so than the last; multiple tedious and predictable love triangles; that whole incest / not-incest thing…
I did not know it. But now I'm intrigued.
Oh god, the Chinese baby. I’m grinning at my desk like an idiot as I write this.
God some parts of this sound awful but Ben Mendelsohn and Christina Hendricks, I did not even know I needed this
I read two or three of the Mortal Instruments books in high school, for some dumb reason, and they were terrible. Terrible! Worse, I mistook the headline for this article as a reference to Philip Pullman's His Dark Materials. (It's been a long day at work.) Though if it were ABC Family adapting His Dark Materials for…
To see The Dirtbombs live is a life goal of mine. And seconded—this is a cool story.
Actual Riches fans! I used to think I was the only one.
"ADvertising!"
A critic—at Grantland, I think—wrote in his review of the first three episodes that in doing what it does with Danny, Bloodline goes the opposite way than most Florida crime fiction; generally it's the Danny-figure who remains at the narrative's center, as the compelling one with whom we identify, making the rest of…
Particularly enjoyed Meg and Danny's conversation at the end of this episode—Danny's telling Meg she's not Sarah is scary and disconcerting, especially after the blackmail, but it's an expression of care at the same time. Cardellini and Mendelsohn played it terrifically.
I know Guy Pearce from Memento. I remember him for The Proposition.
I don't know, by the time I got to that 10-minute "Banana falling over" video, I kind of admired this person's demented art project. To say nothing of "Waffle falling off a spinning watermelon" (??!?)…
Best part: "Here are some videos of other things falling over"
Your avatar's got Archer, but this comment screams Cyril.