"I'm Flying Sidekick! And these are my magic nunchucks! That I think might be pronounced nunchaku! I am unsure! Of the pronunciation!"

"Okay. Here's a funny story — you cannot sing."

I'm good at sex you're bad at sex
I'm good at sex you're bad at sex
I'm good at sex you're bad at sex

Over the course of this season and last, Hank's eclipsed Dean as my favorite Venture brother, though I loved Dean's bitchiness with Rusty and in the nozzle room.

Erica Tazel as Clarice Starling is official headcanon for me, I think.

No, that's definitely true. It just gets rid of what seems like the convenient avenue, lately, for the Orpheuses to be there. It also seems like the split in the Venture circle shifts the dynamic of supporting characters so that White and Billy end up filling the space that Orpheus or the Triad might have before.

Yeah, I really like having Billy and White around, but — season needs more Orpheus. Don't necessarily agree with you about Emo Dean; I'm actually enjoying watching the weird ways he and Hank are choosing to individuate, and find them pretty apt for the characters. But it does leave less room for Triana and, by…

"Billy! Mount me! We'll fight him together!"

Whoa. Thanks for this.

I'm not often squeamish, at all, and not too many of this show's scenes, even, have bothered me too viscerally, with the exception of "Coquilles." But watching Georgia Madchen die gave me chills. Felt too much like Georgia Lass, maybe, but Georgia Lass being immolated horrifically, instead of blown up for black comedy.

Sims does make the connection to Ned in the newbies review, so I think that shift might well be happening.

Sorry, I'd made a mistake in the post above. It was the end of The Psychology of Letting Go that I loved, not the montage, because there wasn't a montage in that one, I don't think. The montage was in Modern Movement—- the Jeff/Dean "Kiss From a Rose" spliced with Britta and Shirley with the guy they picked up off the…

Holy fuck, this is a heartwarming thread.

Thirding on the Glee episode. My heart sank watching it.

Still worth it for "time hoodie," though, I feel.

Oh, man, 'Kings.' Miss that show.

"The movie leaves the sense that, like Gatsby himself, Luhrmann has bought the book without cutting the pages." So great!

"At this point, when someone tells me they 'could care less' I reply by asking 'well then why the hell don't you?'" Beautifully done.

Oh, I know. You could tell from her expression she was trying to work him— channeling Margaery's manipulation, maybe, now that she's got the hair. It's just that the cleverness, since it's doomed to fail, leaves her even deeper in shit with Littlefinger that she can't possibly understand; she hasn't got the tools.…

Sandor Clegane, man! What a beast.