avclub-855069bb71cd6f6a49cbbd27f89605e3--disqus
Dwide Schrude
avclub-855069bb71cd6f6a49cbbd27f89605e3--disqus

Better yet, live-action Bill Dauterive.

I still maintain that Season 4 is the most underrated season of the show. Maybe "Dinner Party" (aka the one post-S3 episode everyone can agree on) has colored my view of it, but I remember "Night Out," "The Deposition," "Money" and "Branch Wars" all being pretty great. The only real dud that season I thought was

Personally, I just want CB4 2.

I don't think Cohen has ever made a bad album (I've listened to them so much that the production doesn't bother anymore) but I think basically this tour is his late-career comeback. Think back two years ago, NOBODY saw this tour coming, and it's been one of the most widely acclaimed tours I've ever heard of.

Fuck that, how about just Genesis themselves?

But Moranis' wife died like 20 years ago, didn't she? His kids should be grown-ass adults.

If we're talking 80s rappers, the obvious answer is Slick Rick.

I KILLED FITTY MEN

Newman is a good comparison, but for me, Zevon's closest cousin has always been Steely Dan. Think about Katy Lied, Royal Scam and Aja - a lot of those lyrics could straight up be Zevon's.

Not even Crowded House gets a 90-10 split!

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Jeff Beck is kinda dorky and his latest album cover is obviously stupid as shit, but seriously, respect the man's Lifetime PassTM.

Here's something I wanna know: can anyone honestly say what exactly is so bad about later-era R.E.M. other than the fact that they're required by hipster law to hate it? I'll give you that Around the Sun wasn't so hot (although it actually has a couple songs that were really good), but sometimes I seriously wonder -

I've never heard these guys
but it sounds like they're trailblazing visionaries shattering the garage-rock mold since they, you know, have a bass player.

What about people on AV Club who know about Peetie Wheatstraw, the blues singer?

Fuck Shaft, go with Sweetback.

Manhattan Murder Mystery was a pretty decent throwback to his early-70s stuff, and leads one to wonder why he never used Diane Keaton again in the 90s or 00s. It's no masterpiece, but it's fun. However, it was also the big screen debut of (Lutz-style ominous music) Zach Braff.

I would loop the scene in Dirty Work where Norm MacDonald, so full of hope, asks Chevy Chase if he can pay him off in installments, and Chase ever so calmly responds "No."

Match Point was like the ONE time in the past 20 years or so that one of his movies has actually gotten its due. He has dropped some seriously fantastic stuff in that time (Deconstructing Harry, Mighty Aprhodite, Bullets Over Broadway, Sweet and Lowdown, Match Point) plus some stuff that might not have been A-material