@avclub-e305c4a87433ee66e142f67c450fdf6a:disqus

@avclub-e305c4a87433ee66e142f67c450fdf6a:disqus

Diversity is important. Of course it is. But that doesn't keep Rhimes' shows from being crap. I find it weird that she's trying to high-horse it above a writer of Sherman-Palladino's caliber.

Diversity is important. Of course it is. But that doesn't keep Rhimes' shows from being crap. I find it weird that she's trying to high-horse it above a writer of Sherman-Palladino's caliber.

Scrawler is lizzing.

Scrawler is lizzing.

And don't forget about Michel, Lorelai's assistant at the inn, who was black, French, and gay. That manages to be diverse and economical!

And don't forget about Michel, Lorelai's assistant at the inn, who was black, French, and gay. That manages to be diverse and economical!

See, that never bothered me. Michael becoming consumed by his obsession to find Walt made for some good TV, and Perrineau did a lot with little (on the page). Things got frustrating, though, when Walt's storyline became increasingly convoluted and fractured, which in turn weakened Michael's storyline.

See, that never bothered me. Michael becoming consumed by his obsession to find Walt made for some good TV, and Perrineau did a lot with little (on the page). Things got frustrating, though, when Walt's storyline became increasingly convoluted and fractured, which in turn weakened Michael's storyline.

Lord, that was harrowing.

Lord, that was harrowing.

Sky-cake!

Sky-cake!

My Rod, it's good, too.

My Rod, it's good, too.

You had the wrong kind? I've never had the wrong kind. My worst one was right on the money.

You had the wrong kind? I've never had the wrong kind. My worst one was right on the money.

I imagine the @avclub-b27cf97c2e282465fba1406e71ffb55c:disquss of the world would prefer a hearty "fuck you".

I imagine the @avclub-b27cf97c2e282465fba1406e71ffb55c:disquss of the world would prefer a hearty "fuck you".