I agree and, aside from production logistics and budget issues, being in a big city within the storyworld would necessitate going through potentially millions of walkers, as opposed to the more manageable little groups the survivors encounter on the backroads and small towns they've traversed so far. The vast herd of…

I have a real problem with movie and TV vehicle flips. It seems to me that, in reality, you're just gonna ram into the back of a parked car or truck and come to a violent stop after shoving it forward for some distance. That shit where they launch into the air and roll so clearly requires a ramp that I can't believe…

Eugene needs a brain-mouth filter. This is NOT something you say to a fiery red-head.

Metaphorical and literal: blood on his hands.

But not the jeans, dear god, not the jeans.

More pop culture intersections: Jenny O'Hara was in "Devil" with Chris Messina although, sadly, they didn't get a scene together in this TMP episode.

Three of us. This show is fuckin' pretty, and there is nothing wrong with pretty. We should not feel bad.

No, not really goofy at all, just the opposite tonal version of the Hamptons from what you see on, say, "Revenge." In the "Royal Pains" universe, nothing bad ever happens, everyone dresses well, is painfully genuine (even the rich people, mostly), they lunch near water, the doctor is basically MacGyver, there is…

Good. Her uneven weird hybrid accent sank that whole movie for me. Oh, and Damon's utter lack of personality. And the fact that his character took a whole 30 seconds to learn how to live with and operate an entire external skeleton-spine thing with no Iron Man-esque awkward breaking-in period. Girl, please.

The Headless Horseman ought to hang his head in shame (not literally, obviously) because he was absolutely unable to protect the woman he claims to love. What a useless asshole in a crisis. He should have to relinquish her on principle alone because he's kept her locked in that stupid out-of-time cabin and then just…

I thought for sure we'd get a scene of Ichabod shouting into the radio, "Release the button, dear, release the button!"

Ooops, I didn't read this whole thread - just said the same thing after you already said it!

This is a shame because, one of the things that first fascinated me about the show and really made me want to support it, was the presence of multiple people of color in central roles. That balance was so refreshing. But oh, look, a new white male to spout bon mots and be all Sawyery 'n' shit.

Speaking of Ichabod driving, I was bummed we didn't see him transporting Katrina back to the batcave. I mean, he must have driven her there in a car, right? What, did he make her walk there? All pregnant in that tight bustier thing and those skinny jeans?

I kept thinking, "Woman, don't you ever wear Hush Puppies?" Then, I thought, if she wears flats, she'll just disappear right off the bottom of the screen.

Yeah, there's a lot of resentment toward the Beth coverage - which I totally get. It's the show's fault for making her such a non-entity for all of the "Hershel's Farm" season and only marginally less so at the prison. But I did enjoy her journey with Daryl. It was an odd pair-up and I think it gave both characters…

Oh, I didn't know that! Thanks for the heads up. I watched one ep of Grimm a while back and never resumed. I was perturbed by the ineffectual ass he played on How I Met Your Mother, feeling that I was watching a huge waste of talent play out on teevee. But he came ROARING back in Much Ado About Nothing and I am…

Me, too. That flashback of Fred leaving Texas, hugging her parents, getting in the station wagon to go off to L.A. to be a grad student…brutal. For all of Whedon's avowed feminism, he still manages to follow Hitchcock's modus to "Torture the Women!" way too much. You're right on Cordy's TWO forced impregnations -…

Wesley shootin' all John Woo-ish at rock demon guy made me feel ALL the feelings. Why isn't Alexis Denisof a massive star?

Probably true. Kind of like everyone making "cousin" jokes in Arkansas.