avclub-83aa3f196953561a61735e0555f77b7e--disqus
L-o-l-a
avclub-83aa3f196953561a61735e0555f77b7e--disqus

Yes! I was yelling at Sylvia to just leave the goddamn room already. Bossy asshole - I mean I know he has a masterful schlong and everything but come ON. "You exist in this room for my pleasure"???? I'd have ordered a crapload of room service - something surf & turfy - had a masseur brought up to the room & gotten a

I don't know if this has been said already but that bumpy plane ride had a really wild foreshadowing when Ted said, sometimes when you're flying in a plane like that, you don't know if you're right side-up or upside-down. Leap ahead 31 years and the final Kennedy prince goes down in a small plane after getting

@avclub-b3b938e989563d316a15a78c2e16b84f:disqus Well stated! Conrad simply wanted to stage himself in a Guiliani moment. I agree that the review didn't reflect the trippy awesomeness of this episode.

Or in Jefferson City proper. I been there. I know from whence I speak.

My favorite shit at the movie now is the new PSA my local theater chain has been running since Aurora. It says, hey, if you see any "suspicious characters" to report it right away to the theater staff. I'm sitting there thinking, "Oh yeah, those hormonal fuckin' teenagers manning the popcorn machine and the extremely

Julie White/Ann needs a lesbian lawyer spinoff, forthwith. But the PeaCock would be uncomfortable with that and probably be nervous about the Family Council and various other repressed killjoys getting up in their shit. Damn, 'cause Julie White was awesome in this show.

I loved Fat Chandler. He wore big sweaters and had excellent hair.

I've had dreams most of my adult life about being in a big house and exploring it. I find hidden rooms designed for unknown purposes, amazing old objects (antique dishes, books, hammocks) left behind that I get to keep, and there is always a sense of exploration, that the rooms just go on and on, into infinity, with

I'm pretty sure Phil would rather make love to a red hot poker than review more seasons of this show.

@avclub-b9a25e422ba96f7572089a00b838c3f8:disqus (below) yes, absolutely. It's not enough that we are meant to believe that Garth is "out there" supporting the Winchesters offscreen. He would've been a suitable addition in Bobby's absence because he has a distinctive personality and a mode of hunting that works in a

Nice observations about the boys' wardrobe, @avclub-72ad8dd8124336c31c6cecc648370d98:disqus . It's interesting that Sam is identified with warm colors (or blood colors?) while Dean leans toward the cool end of the spectrum.

I loved that little weirdo. Do we think he teleported himself to Australia? If so, it was a nifty solution. He had Sam & Dean lying to him, Cas trying to stab him, and his demon-possessed birth-mother trying to coerce him. He said goodbye to his sleeping adoptive parents, then headed to the beach - avoiding everybody

I eagerly await the return of "Betty-Luke."

@avclub-4fea8a8687422125c259e9cd03244cc4:disqus Yes, it was Luke, from all the binge-eating (and Claire said something like - oh, it was you? - when he walked up and said he'd just vomited). Having worked in a bar/restaurant and having to clean up the effluvia of human degradation in toilet stalls, I can sympathize

And the red Swingline office stapler!

Agreed, @avclub-72ad8dd8124336c31c6cecc648370d98:disqus , this whole sudden exposition dump feels like a set-up for the next season. It seems like slamming all these gates shut will necessitate - or force - unexpected alliances and proximities. Just as with the exquisite reveal of the Men of Letters (this season's

Did anyone else think of that Angel episode, "I Fall to Pieces," when Abaddon's hand crawled out of the box and across the table? (Or, OK, fair enough, The Addams Family?) Disembodied, animated limbs are creepy! But Abaddon's manicure was impeccable.

Honestly, I don't think Castiel is all there. His brain has been severaly scrambled for the last couple of seasons. He's been basically possessed and indoctrinated and tortured repeatedly until the character has become so knotted up in past sins that he can't take a clean breath, much less navigate human consumerism

It doesn't get a lot of play hereabouts (and Phil ignores it completely) but one of the things I truly love about Supernatural is its production design. For the entire run of the series - and whatever the budget - the show visually creates a very specific universe for its characters to inhabit. The small towns, the