Whoops. Just saw your comment, Mike. My apologies eh!
Whoops. Just saw your comment, Mike. My apologies eh!
Whoops. Just saw your comment, Mike. My apologies eh!
It's "aboat." (Trust me: I know.)
It's "aboat." (Trust me: I know.)
Eh; forget aboat it, Mike From Chicago! No need ta say sore-ee!
Eh; forget aboat it, Mike From Chicago! No need ta say sore-ee!
Is that truly how this ridiculous overreaction came about? Because they mentioned it on the commentary track, and some idiot caught wind of it and cried foul?
Is that truly how this ridiculous overreaction came about? Because they mentioned it on the commentary track, and some idiot caught wind of it and cried foul?
(The U.S. should be renamed The United Ostriches of America.)
(The U.S. should be renamed The United Ostriches of America.)
Only delusional people could equate a well made (though flawed) series like Lost with the crap-fest that was Heroes past season one.
Only delusional people could equate a well made (though flawed) series like Lost with the crap-fest that was Heroes past season one.
Thanks for the response, Chapeau! I'm glad you took the time to share what you appreciate about it.
Thanks for the response, Chapeau! I'm glad you took the time to share what you appreciate about it.
I long for Nickelback to apologize for…being Nickelback.
I long for Nickelback to apologize for…being Nickelback.
I found the writing/dialogue of Studio 60 to be so phoney, pretentious and self indulgent that when I first learned that Sorkin penned The Social Network, I presupposed that it, too, would be garbage.
I found the writing/dialogue of Studio 60 to be so phoney, pretentious and self indulgent that when I first learned that Sorkin penned The Social Network, I presupposed that it, too, would be garbage.
Alright: I have to ask. I'm dying to know: did anyone here like any part of Studio 60?
Alright: I have to ask. I'm dying to know: did anyone here like any part of Studio 60?