I don't have a problem with the point being $$$. I hope Metallica makes all kinds of $$$ with their new label. I just hope that in addition to making $$$ they also manage to put out a product the fans have been hoping for for decades.
I don't have a problem with the point being $$$. I hope Metallica makes all kinds of $$$ with their new label. I just hope that in addition to making $$$ they also manage to put out a product the fans have been hoping for for decades.
I don't have a problem with the point being $$$. I hope Metallica makes all kinds of $$$ with their new label. I just hope that in addition to making $$$ they also manage to put out a product the fans have been hoping for for decades.
My question as well. Does re-release mean remaster as well? And if not, what's the point? And if so, can we trust Metallica not to Lucas it all up? I would like to finally hear the bass on Justice, but after Lulu I'm not particularly hopeful of them doing anything their fans actually want.
My question as well. Does re-release mean remaster as well? And if not, what's the point? And if so, can we trust Metallica not to Lucas it all up? I would like to finally hear the bass on Justice, but after Lulu I'm not particularly hopeful of them doing anything their fans actually want.
So we will finally solve the mystery of what the basslines are.
So we will finally solve the mystery of what the basslines are.
Can anyone recommend a good Spanish podcast, preferably from Spain? My favorite podcasts are CBB and the Flophouse, and if there was a Spanish version that would be great. From google I found one called Hello Friki that is pretty good.
Can anyone recommend a good Spanish podcast, preferably from Spain? My favorite podcasts are CBB and the Flophouse, and if there was a Spanish version that would be great. From google I found one called Hello Friki that is pretty good.
I listened to the first 20 minutes of Owen and TJ. @avclub-5c7646b1d39fc0715f330479e4e5f254:disqus pretty much nails his description of it. TJ was more annoying than funny.
I listened to the first 20 minutes of Owen and TJ. @avclub-5c7646b1d39fc0715f330479e4e5f254:disqus pretty much nails his description of it. TJ was more annoying than funny.
The D&D parts of Harmontown were the only parts that I could tolerate after a few episodes. I quit listening to it.
The D&D parts of Harmontown were the only parts that I could tolerate after a few episodes. I quit listening to it.
Yeah, I watched Abduction after that episode and I laughed when Ripley randomly says she hates balloons. I don't know if I would have thought that was funny if Elliott didn't point it out on the episode. The Floppers have a gift for noticing bizarre little details like that.
Yeah, I watched Abduction after that episode and I laughed when Ripley randomly says she hates balloons. I don't know if I would have thought that was funny if Elliott didn't point it out on the episode. The Floppers have a gift for noticing bizarre little details like that.
That's a good point about Apatow's timing. When I listened to the episode I didn't think his WYR bit was very funny, but then in the review I thought, "Okay, maybe it was kind of funny." But then you convinced me that it would be funnier if a more capable comedian did it.
That's a good point about Apatow's timing. When I listened to the episode I didn't think his WYR bit was very funny, but then in the review I thought, "Okay, maybe it was kind of funny." But then you convinced me that it would be funnier if a more capable comedian did it.
I agree on all points.
I agree on all points.
Anything but "Carouselambra", if you're listening to Zep's long stuff.
Anything but "Carouselambra", if you're listening to Zep's long stuff.